A Quote by Maurice Gibb

When we write, we complement each other. We wrote six songs, Barry and I, while Robin was ill during the American tour, and they were terrible until Robin came back, and then everything worked out.
Robin had always wanted to go solo, so when it happened I wasn't angry at all. I understood the situation. But Barry is so full of pride and couldn't understand why Robin had done it.
The trees are Indian Princes, But soon they'll turn to Ghosts; The scanty pears and apples Hang russet on the bough; Its Autumn, Autumn, Autumn late, 'Twill soon be Winter now. Robin, Robin Redbreast, O Robin dear! And what will this poor Robin do? For pinching days are near.
Ever since the decision of Robin Thicke and Pharrell, we believe that it was important to make sure that we are safe. When that Robin Thicke verdict came out, we realized that the game had changed in music.
I remember once they sent me over to read for a show called 'Mork and Mindy.' I heard gales of laughter, then Robin Williams walked out. I had to follow Robin Williams.
When we went to America, Robin Williams came to the gig, and Mike Myers had lunch with us and wanted to write a film for us. We're idiots - we turned it down. I think we were just sick of each other at that point. When you get famous, it takes some time to realise it isn't going to be good.
If you outlaw half a million people you make martyrs of them. For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
I thought I'd write a massive postmodern novel about Richard the Lionheart and Robin Hood, but it turns out they couldn't have met because the first mention of Robin Hood appears 60 years after Richard died.
In the beginning, Barry and I couldn't decide if we were going got go forward with the name of the Bee Gees or just as Barry and Robin. Now we've decided to continue as the Bee Gees because we feel we can, and Maurice would have wanted it.
I like having pairs of characters to play off each other. I love drawing Batman, but he's more fun with Robin. Batman charges ahead, Robin jumps off the walls. It's fun showing that contrast.
I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling.
There is no waste in functioning natural ecosystems. All organisms, dead or alive, are potential sources of food for other organisms. A caterpillar eats a leaf; a robin eats the caterpillar; a hawk eats the robin. When the plant, caterpillar, robin, and hawk die, they are in turn consumed by decomposers.
I was proud of 'Robin Hood,' even though critics wrote negative things. But I had to laugh when this big, shaven-headed Hungarian stunt guy first saw me. He said, 'You Jonas? You playing Robin Hood? You need to go to the gym today.' So I thought, 'I'm going to show people.'
I was always the sexy bass player in the background while Robin stood centre. Barry and I played it up a bit, gave 'em a bit of thigh.
I just know that he's Robbie Williams - he's massive, that's all I know! He nailed it. Working in the studio with him was cool. I got there at about six in the afternoon and then stayed until six in the morning. We only worked for like two hours, the rest of the time we were just chilling out the back. The way Robbie handles everything... he's a star, but there were never any pretensions, no ego. He put effort in.
To speak robin to a robin is like speaking French to a Frenchman
I learned that the songs that mean the most to me are the songs that I write by myself. While there were people I wrote really well with, particularly Gary Nicholson and Delbert McClinton, and I really enjoyed the experience, I came away from it feeling like I need to write by myself.
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