A Quote by Maurice Gibb

I was always the sexy bass player in the background while Robin stood centre. Barry and I played it up a bit, gave 'em a bit of thigh. — © Maurice Gibb
I was always the sexy bass player in the background while Robin stood centre. Barry and I played it up a bit, gave 'em a bit of thigh.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
I've always been a little bit in the background as a singer and even as an acoustic-guitar player, although I crank it up and rock with my Marshall stacks, too.
I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
I like Jaco Pastorius' 'Portrait of Tracy.' He was this bass player who played jazz fusion. He was the dopest bass player who ever lived.
When we write, we complement each other. We wrote six songs, Barry and I, while Robin was ill during the American tour, and they were terrible until Robin came back, and then everything worked out.
I was a baseball player. I played in high school and a little bit in college. I was a catcher. I don't know if I could have played any other position. As a catcher, you're always on the ball.
Barry Harris had a club called Jazz Cultural Theater and there were sessions there on a regular basis. I remember being there and sitting in with [Charles] McPherson and Barry being there, and just smiling at me. He didn't talk to me much at the time, he just came up and gave me a smile, which meant a lot. I've since gotten to know him and been around him a little bit.
I've always been a believer of taking a little bit of knowledge of every great player I played with.
As a young player, I played up front, on the wing, in midfield, and when I started in the reserves at Standard Liege, I played centre back.
Robin had always wanted to go solo, so when it happened I wasn't angry at all. I understood the situation. But Barry is so full of pride and couldn't understand why Robin had done it.
I don't know what the problem with Capitol is. Some one's got to wake 'em up. Prod 'em a little bit.
Lucy: I don't understand men. Nettie: What is there to understand? If you feed 'em regular-like and give 'em a bit of 'sugar' now and then, they're easy enough. And if they don't behave, you just toss 'em out on their arses. That's what I always say.
For me, I guess music has always been the through-line. You know, I played guitar from a really young age, and my dad played, and my cousin gave me a drum kit when I was 13, and I played bass guitar, so, you know, it was definitely always in the house.
I played a little bit of everything. I got Ace of Bass, hip-hop songs, and dance hall [music].
I grew up an athlete, growing up in Pittsburgh. I played basketball. I played football. I played a little bit of baseball in my earlier years.
It's true that Coutinho played on the centre because sometimes Messi likes playing on the right side. If that happens, we have to readjust a bit.
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