A Quote by Maurice Jarre
Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.
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Americans, they have an incredible operatic tradition: the Metropolitan Opera House is - if not the most prestigious - one of the most prestigious opera houses in the world for over 100 years.
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
I've had a great life. It was exciting. I worked with the most interesting people, and I traveled all over the country.
The thing is this: I've got an amazing career in England that couldn't possibly get much better. I do the best theater around, I work at the National Theater, the Old Vic - which I'm sure you've heard of because it's the one Kevin Spacey runs - and I play the most amazing roles and work with the most amazing directors.
The monologue is one of the most difficult and interesting forms of theatre for an actor to learn.
my advice to every student who is trying to make a decision for the years immediately after graduation: take the opportunity that in your mind is the most rewarding, that you are most passionate about and that you find most interesting and save the rest of your life for being risk averse. Whatever you want to do, this is the time to pursue it. Twenty years from now, your freedom to take risks will be limited.
I spent most of my teenage years in the National Theatre.
Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.
Most theatre is still really bad. It has to appeal to people who do jobs and have lives. Theatre about theatre is the most awful, terminal nonsense.
I have no regrets. I won with the most prestigious clubs in the world - Real Madrid and Juventus - and also with the national team. I won the Ballon d'Or and Fifa World Player at 33 years old.
Now I'm sixty-one... sixty-two, pretty soon. It's a really interesting age. Now we have women of your age, and coming up, and all these fantastic writers, who have managed to have their children but continue with their art, their work. I think women are doing the most interesting writing right now, the most interesting art. I see everything through this lens, of women finally taking their place in the world. Their true place. And it's very, very exciting to me.
Every place is a goldmine. You have only to give yourself time, sit in a teahouse watching the passers-by, stand in a corner of the market, go for a haircut. You pick up a thread – a word, a meeting, a friend of a friend of someone you have just met – and soon the most insipid, most insignificant place becomes a mirror of the world, a window on life, a theatre of humanity.
The exciting part for me, as a pilot, was the landing on the moon. That was the time that we had achieved the national goal of putting Americans on the moon. The landing approach was, by far, the most difficult and challenging part of the flight. Walking on the lunar surface was very interesting, but it was something we looked on as reasonably safe and predictable. So the feeling of elation accompanied the landing rather than the walking.
The parts that embarrass you the most are usually the most interesting poetically, are usually the most naked of all, the rawest, the goofiest, the strangest and most eccentric and at the same time, most representative, most universal... That was something I earned from Kerouac, which was that spontaneous writing could be embarrassing... The cure for that is to write the thing down which you will not publish and which you won't show people. To write secretly... so you can actually be free to say anything you want.
I have discovered the most exciting, the most arduous literary form of all, the most difficult to master, the most pregnant in curious possibilities. I mean the advertisement. It is far easier to write ten passably effective Sonnets, good enough to take in the not too inquiring critic, than one effective advertisement that will take in a few thousand of the uncritical buying public.
Most of the best writing, the most creative writing, the most interesting, the most out-of-the-box kind of stuff, is being done on cable, you know, and on the computer. I mean, whatever it is, Amazon or Netflix or something. Because they're just willing to take chances, you know, and there's a market for it.
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