A Quote by Maurice Jarre

With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between them.
Some of my favorite scores include Bernard Herrmann's Hitchcock scores.
Bernard Herrmann was a genius, a great, great composer.
Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I don't understand why this happens in the movie industry.
I was obsessed with 'The Twilight Zone' as a kid, and one of those things I didn't realize until I was in college was that I had been listening to Bernard Herrmann all my life.
Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I dont understand why this happens in the movie industry.
Hitchcock had to fight to the death to make his movies.
Just beyond the ticket booth Father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? An arrow pointed to a small curtain. There were so many eager, curious hands that pulled at the curtain that we had to replace it regularly. Behind it was a mirror.
When I was 20, Shostakovich was my favorite composer. I still find his Fifth Symphony wonderful, with its outstanding themes and rhythms. That's the piece that made me want to be a classical composer.
My parents had a six floor warehouse on Curtain Road called Cordy House between 2004 and 2007 where we had some of the most banging and memorable London parties.
What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.
We had a wonderful trip, a seven-day trip, talking and sitting in the sun and so forth [with Bernard Leach]. And as we were approaching England, Leach said, "Do you have a place to live?" And we said, "No, we didn't." We hadn't worried about that. But Bernard had just separated from his second wife, which we had not realized, and Bernard was a person who could not stand to live alone. So he said, "Would you like to share my house with me?" Naturally we said yes.
Perhaps the chief requirement of [the conductor] is that he be humble before the composer; that he never interpose himself between the music and the audience; that all his efforts, however strenuous or glamorous, be made in the service of the composer's meaning - the music itself, which, after all, is the whole reason for the conductor's existence.
Historically, there is a fight between the sound designer and the composer. You see them in the mixing room and they're always fighting because the composer wants the music to be heard and the sound designer wants the sound to be heard.
Tavi looked wildly around the courtyard, and when his gaze flicked toward them, his face lit witha ferocious smile. "Uncle Bernard! Uncle Bernard!" he shouted, pointing at Doroga. "He followed me home! Can we keep him?
The hero of the beloved Star Wars trilogy is Luke. The principle dynamic is the complicated relationship between Luke and his father. Not coincidentally, George Lucas' last name sounds a lot like Luke. That's the one he identified with. George Lucas had a tumultuous relationship with his own father, and people who know him say that you can't understand the backstory of the movies without knowing that his dad was occasionally difficult but also very loving. They had a big break between them. In those movies, he's very focused on sons and fathers.
It's because...you see, if we had souls, which we haven't, and if our souls met--yours and mine--they'd fight to the death. But after they had torn each other to pieces, to the very bottom, they'd see that they had the same root.
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