A Quote by Maurice Jarre
In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to extend the scene to let my work stay completely.
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I can't imagine David Lean justifying why he went to the desert to shoot 'Lawrence of Arabia.'
When I joined the music scene, a lot of big-ticket singers were not getting good work... It was a lean phase.
Actually, one Anthem cue is a good example of the process. There is a four-minute sequence of music in Anthem, which underscores a prison sequence, and it lines up with five different, smaller scenes within one large scene.
I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
I listened to all types of music, and obviously when I got to Seattle I was very much aware of the music scene there.
"Do not lean on your own understanding." That means don't bring in the crutches and lean on them, those crutches that you have designed and made to handle such situations. Stay away from them. Don't lean on them; lean on God.
One of the purest souls ever to live on this fallen planet was Nicholas Herman, known as Brother Lawrence. He wrote very little, but what he wrote has seemed to several generations of Christians to be so rare and so beautiful as to deserve a place near the top among the world's great books of devotion. The writings of Brother Lawrence are the ultimate in simplicity; ideas woven like costly threads to make a pattern of great beauty.
I wrote 'Threnody,' then I wrote several works where I changed my music completely.
To me, desert has the quality of darkness; none of the shapes you see in it are real or permanent. Like night, the desert is boundless, comfortless, and infinite. Like night, it intrigues the mind and leads it to futility. When you have flown halfway across a desert, you experience the desperation of a sleepless man waiting for dawn which only comes when the importance of its coming is lost.
At art school, a teacher said: 'The best paintings are when you get lost in a piece of work and start painting in a stream of consciousness.' I wanted to do music, not art, so started writing lyrics that way. The first song I wrote was called 'Ice Cream and Wafers.' The next was 'Holding Back the Years.'
When the man is traveling with a man, he says, "Let's stay up late and work on this and get this to be better." When the man's traveling with the woman, for the sake of appearances he doesn't do the work with her. That's a lost opportunity for her to be a success.
one way to keep people close to you is by not giving them enough. ... with people who give a lot of themselves, you sometimes lean back - but with people who give little you often lean forward, as if they're a spigot in the desert and you're the empty cup. It is the tropism of deprivation: We lean toward those who do not give.
I've gone through many phases in music in my life. Before I was signed, I was making completely different music, and my fan base has followed me. They continue to follow me as the music progresses and as I grow as an artist. As long as I stay true and don't pretend to be someone I'm not, I hope they'll come along with it.
When I was coming up in Miami, the music in the city at the time sounded completely different. I loved it, but it just wasn't the type of music I wanted to make. I wanted my wordplay to be more sophisticated. I wanted the sound to be more lush. I wanted my music to sound like who I was and aspired to be - boss.
Mostly by [listening to] Green Day. I listened to music a little bit before I had heard of them, but after I'd heard of them, I knew music was my calling. I listened to it all day, and I loved it so much that I wanted to be a part of it, so I worked on being in a band from there.
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