A Quote by Maurice Ravel

Music, I feel, must be emotional first and intellectual second. — © Maurice Ravel
Music, I feel, must be emotional first and intellectual second.
One of the things I love about jazz music is that intent is first and execution is second. In classical music, execution is first and intent is second, meaning that you must first learn a piece before you can truly add your interpretation to it.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
I think emotion is just anything that is emotional, you know, people can feel with music. Music is already so emotional, like the strings, the chords, and the notes and the melodies and stuff. And then you throw on a topic that everyone can relate to. That's gonna be real music.
You must know, then, that there are two methods of fighting, the one by law, the other by force: the first method is that of men, the second of beasts; but as the first method is often insufficient, one must have recourse to the second.
Poetry is a second translation of the soul's feeling; it must be rendered into thought, and thought must change its nebulous robe of semi-wording into definite language, before it reaches another heart. Music is a first translation of feeling, needing no second, but entering the heart direct.
I feel really blessed to first of all have the opportunity to do music, and second of all to have it be going well.
You must see that if two things are alike, then it is a further question whether the first is copied from the second, or the second from the first, or both from a third.
A second parent in the home provides back-up support in discipline when the other is at the breaking point, and a doubling of the emotional, intellectual, and moral resources that a child can draw on.
ALL ART, OF COURSE, IS INTELLECTUAL, BUT FOR ME, ALL THE ARTS, AND CINEMA EVEN MORE SO, MUST ABOVE ALL BE EMOTIONAL AND ACT UPON THE HEART.
[What I want to communicate] doesn't have a language with which I can communicate it. The things that I want to communicate are simply self-evident, emotional things. And the gifts of those things are that they bring both intellectual and emotional gifts - understanding. But I don't really have a major message that I want to bring to the world through my music. The music can tell people everything they need to know about being human beings. It's not my information, it's not mine. I didn't make it. I just discovered it.
Emotional self-control is NOT the same as overcontrol, the stifling of all feeling and spontaneity....when such emotional suppression is chronic, it can impair thinking, hamper intellectual performance and interfere with smooth social interaction. By contrast, emotional competence implies we have a choice as to how we express our feelings.
I feel that when I listen to music - not that it's bad - it's not emotional. It has a gimmick to it. It's selling something: the artist, the producer, something. The emotional capacity is very small, for the listener as well.
Without either the first or second amendment, we would have no liberty; the first allows us to find out what's happening, the second allows us to do something about it! The second will be taken away first, followed by the first and then the rest of our freedoms.
In order to translate a sentence from English into French two things are necessary. First, we must understand thoroughly the English sentence. Second, we must be familiar with the forms of expression peculiar to the French language. The situation is very similar when we attempt to express in mathematical symbols a condition proposed in words. First, we must understand thoroughly the condition. Second, we must be familiar with the forms of mathematical expression.
If one of our players gets his second foul in the first half, then he must come out of the game and not re-enter until the second half. To play defense and not foul is an art that must be mastered if you are going to be successful.
Music is essentially an emotional language, so you want to feel something from the relationships and build music based on those feelings.
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