A Quote by Maurice Saatchi
Nobody has a magic lamp which can tell you in advance whether what you say will be effective in persuading an audience.
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When I was a boy, I read with great interest but skepticism about as magic lamp which was used with success by a certain Aladdin. Today I have no skepticism whatsoever about the magic of the xenon flash lamp which we use so effectively for many purposes. (1970)
We need open minds and open hearts when we wrestle with the past and ask questions of it, and the answers it will provide are in nobody's pocket... We should let nobody tell us that they know all that it contains, or try to prescribe or constrain in advance what it has to tell us.
It will be politics that determines the material welfare of future generations: the pace at which we advance toward "our destination of economic bliss," andnperhaps, whether we continue to advance at all.
There is no policy which will ever be as effective a deterrent in the mind of the mass marauder as the advance knowledge - the re-thinking - that someone armed will likely be where he was headed.
We hope that there will be nothing that conflicts with anybody's religion or faith. We would never say a person's religion is not effective. We say, 'Would you be interested in something more effective?' We always put things in an optimistic, progressive perspective. 'Do you want to make your prayers more effective? Not that they are not effective, but do you want to help them become more effective?'
As far as I'm concerned, an audience is an audience. Whether it's an audience in Hull or the National Theatre, that's who you play to. It's not money - it's good to get some, but that's not why I do it. You do it because you have to, to tell a story.
Anybody who's done standup will tell you that there's nothing like it. The show starts at 8:00, the curtain goes up and there's nobody else except you and the audience, and you just perform for them for two hours. Nobody yells, 'Cut!' There are no retakes. That is still the most exciting medium for me, and I love it.
For instance, I'm always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
Nobody will stop you from creating. Do it tonight. Do it tomorrow. That is the way to make your soul grow - whether there is a market for it or not! The kick of creation is the act of creating, not anything that happens afterward. I would tell all of you watching this screen: Before you go to bed, write a four line poem. Make it as good as you can. Don't show it to anybody. Put it where nobody will find it. And you will discover that you have your reward.
The cosmetics world and mentalism are both arenas of deception, but I suppose the difference is that mentalists and magicians are more honest about it. People tell me I have good skin, and I tell them the magic secret is E45 cream: cheap, cheerful, and very effective.
If film making is magic, there's a difference between close up magic and David Copperfield. If you're doing close up magic, which independent filmmakers do, it is a very delicate craft, interpersonal relationship, and being able to enrapture a very small audience.
Who can endure a doctrine which would allow only dentists to say whether our teeth were aching, only cobblers to say whether our shoes hurt us, and only governments to tell us whether we were being well governed?
I have but one lamp by which my feet are guided, and that is the lamp of experience. I know no way of judging of the future but by the past.
You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.
We don't really need reviewers, just first-night reporters who will tell us faithfully whether or not the audience liked the show.
Technology has made music accessible in a philosophically interesting way, which is great. But on the other hand, when everybody has the ability to make magic, it's like there's no more magic - if the audience can just do it themselves, why are they going to bother?
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