A Quote by Maurice Sendak
One of the beauties of being an artist is that you can create a whole new world, with circumstances that are better in your invented world than they are in the real world.
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You are not in the world...the world is in you," what did he mean? [That is, you are not in the world," that is, there is no "you" that is real or in any world. "The world is in you" means that the world is in your "mind" and is nothing more than a figment of your programming-and-conditioning-induced imaginings.]
Another world is possible!' ... Another world is also necessary, for this one is unjust, unsustainable, and unsafe. It's up to us to envision, fight for, and create that world, a world of freedom, real justice, balance, and shared abundance, a world woven in a new design.
Everyone tries to create a world he can live in, and what he can't use he often can't see. But the real world is already created, and if your fabrication doesn't correspond, then even if you feel noble and insist on there being something better than what people call reality, that better something needn't try to exceed what, in its actuality, since we know it so little, may be very surprising. If a happy state of things, surprising; if miserable or tragic, no worse than what we invent.
It's not true that you should first think up an idea for a better world and only then "put it into practice," but, rather, through the fact of your existence in the world, you create the idea or manifest it - create it, as it were, from the "material of the world," articulate it in the "language of the world."
It is a challenge to write in the real world once you've had the advantage of being able to create your own world.
In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.
This is the whole secret of non-attachment: live in the world, but don't be of the world. Love people, but don't create attachments. Reflect people, reflect the beauties of the world - and there are so many. But don't cling. The clinging mind loses its mirrorhood. And mirrorhood is Buddhahood. To keep that quality of mirroring continuously fresh is to remain young, is to remain pure, is to remain innocent. Know, but don't create knowledge. Love, but don't create desire. Live, live beautifully, live utterly, abandon yourself in the moment. But don't look back. This is the art of non-attachment.
I'm used to something where you have to create an entire world, and I do like that process. I like getting the audience to believe that outside of the frame of your television set, there's a whole real world that exists that is different from your day-to-day reality.
I'm used to something where you have to create an entire world, and I do like that process. I like getting the audience to believe that outside of the frame of your television set, there's a whole real world that exists, that is different from your day-to-day reality.
Out of these troubled times, our fifth objective - a New World Order - can emerge. . . Now, we can see a New World Order coming into view. A world in which there is a very real prospect for a New World Order. . .A world where the United Nations, freed from a Cold War stalemate, is poised to fulfill the historic vision of its founders.
Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
'Snowpiercer' was out of this world. It gave me a chance to do something I'd never done before, to create a whole new world.
I can take this real world and superimpose upon it the world of illusion (which isn't, really), in order to either fix or prevent many of life's difficulties--or even better, create happiness and well-being for both myself and others. I can do this, and so can you ... if you really want to.
Do you want to be an artist so that the whole world will look at you, or do you want to be an artist because you would like to use your ability to attract attention, to have the world see itself through you differently?
This world is not the same to all people. Each one lives in his little domain....Peace and harmony may reign in one person's world; where strife and restlessness in anothers. But whatever the circumstances of one's environment, it consists of both an inner and an outer world. The outside world is the one in which your life engages in action and interaction. The world inside of you determines your happiness or unhappiness.
We're much closer together in the world today than we ever were in the psot. Given that it is a much smaller world, we are in a stronger position to shape that world. As we enter the new century, and anew millennium, let us create a world in which there is no longer any war or any conflict.
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