A Quote by Maurice Sendak

Dreams raise the emotional level of what I'm doing at the moment. — © Maurice Sendak
Dreams raise the emotional level of what I'm doing at the moment.
Michael Jackson did something that no one else in history has managed - he connected with people on every level imaginable, all over the world. He seemed to speak to people at their very core and achieved the impossible. He reached people on a deep emotional level. And that is what any great artist or showman dreams of doing. That is why Michael Jackson was so special to me.
You have to raise your game to the level of those around you. Then you have to maintain that high level, and by doing this I think I am improving naturally.
Most dreams die a slow death. They're conceived in a moment of passion, with the prospect of endless possibility, but often languish and are not pursued with the same heartfelt intensity as when first born. Slowly, subtly, a dream becomes elusive and ephemeral. People who've lost their own dreams become pessimists and cynics. They feel like the time and devotion spent on chasing their dreams were wasted. The emotional scars last forever.
Names generate meaning in a short amount of space — they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level.
From an emotional standpoint it's very easy to say don't raise taxes, and no one wants to raise taxes.
If you raise taxes on the rich, you don't raise much money. I mean, this is one of the things that the U.S. is doing, but it's doing it for political reasons, not for financial reasons.
For me the breath really is the tool which allows you to understand what's happening on the mental level and what's happening on the emotional level, and it also allows you to measure what's happening on a physical level.
For me, running is both exercise and a metaphor. Running day after day, piling up the races, bit by bit I raise the bar, and by clearing each level I elevate myself. At least that’s why I’ve put in the effort day after day: to raise my own level. I’m no great runner, by any means. I’m at an ordinary – or perhaps more like mediocre – level. But that’s not the point. The point is whether or not I improved over yesterday. In long-distance running the only opponent you have to beat is yourself, the way you used to be.
Love is an emotional feeling on a human level and a faith experience on a supernatural level.
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real, for a moment at least, that long magic moment before we wake.
The moment you carry out any of your dreams or your fantasies - travel around the world, climbing a high mountain, buying a new house, writing a novel, carrying out a sexual fantasy, traveling to an unknown country - the moment you carry out your dreams, it's always, by definition less perfect and rosy than it had been as a dream. This is the nature of dreams.
This is important. Money on its most basic level is a hard fact - you either have it or you don't. But on it's emotional level it is purely a fiction. It becomes what you let it become.
It's amazing to play a character that gets to do everything - to have the action moment, have the really emotional moment, have the really fun, sweet, falling in love moment.
Ice in the West Antarctic and over Greenland, i.e., ice that's over a rock at the moment, that will raise the level of the sea as it slides into the ocean, putting at risk everyone and everything that lives on the coasts, and that includes an enormous percentage of the world's people.
Every moment each human being is doing the best we know at that moment to meet our needs. We never do anything that is not in the service of a need, there is no conflict on our planet at the level of needs. We all have the same needs. The problem is in strategies for meeting the needs.
The artist must try to raise the level of taste of the masses, not debase himself to the level of unformed and impoverished taste.
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