A Quote by Maurice Sendak
Bumble-Ardy looks like a happy book. That's the funniest thing about it. But this was survival. I was working very hard to survive.
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When I did 'Bumble-ardy,' I was so intensely aware of death. Eugene, my friend and partner, was dying here in the house when I did 'Bumble-ardy'. I did 'Bumble-ardy' to save myself. I did not want to die with him. I wanted to live, as any human being does.
I never thought of Bumble-Ardy in that way. But I still have that same deep feeling for children who are in dire trouble. I see Bumble-Ardy as a lonely, unhappy kid who is doing the very best he can to be in the world, to have a party.
Bumble-Ardy is a very wicked little child as far as I'm concerned. He's not to be trusted.
It was a very difficult time. I was working on [umble-Ardy] when my partner and friend was dying of cancer. We set up a room in the house to be like a hospital room. Eugene died, and then I had bypass surgery. I was doing the book to stay sane while all this was going on.
Some cleric putting a match to her. /Neither of them looks happy about it. /Once lit, she'll burn like a book, /like a book that was ever finished, /like a locked-up library.
The fittest survive. What is meant by the fittest? Not the strongest; not the cleverest - weakness and stupidity everywhere survive. There is no way of determining fitness except in that a thing does survive. 'Fitness,' then, is only another name for 'survival.' Darwinism: That survivors survive.
We are creatures. We have a link with a native habitat just like every other species. Throughout most of human history, physical activity was unavoidable, calories were scarce and hard to get. In the modern era, calories are unavoidable, physical activity is scare and hard to get. The traits that allowed our ancestors to survive, and let's face it, the survival of our ancestors is the reason that we're here because the people who don't survive and make very crummy ancestors, are our traits. But they're very much at odds with the modern environment.
Thank God that Bumble-Ardy's parents are dead so we don't have to wonder what they did to him. We only know that they were famous, and famous people have unhappy children for the most part. They don't have the time to take care of them. So he's a troubled pig-boy, a kid you've got to watch.
If you are interested in happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle. This is because not very many happy things happened in the lives of the three Baudelaire youngsters.
It's really, really eclectic. It's not a business book [Girlboss], but it's still a book that should make you want to get up and do things and think about your life. And for a book that looks that beautiful on a coffee table, I think that's a very special thing. So it's hopefully a new genre I guess, of book. It was so fun to put together and fun to write, that was really a pleasure.
There's a difference between someone who's 'harsh' and someone who is 'hard.' Life was hard. You lived in the South, as my grandparents did, and you had to survive. That is hard. In order to respond to that, he had to become a hard man, with very hard rules, very hard discipline for himself, very hard days, hard work, et cetera.
I'm happy about working; I'm happy about gracing the stage and coming out and making people laugh. I never treat it like a job or feel that way. It's the best thing ever to me, and I feel like a kid in a candy store.
I'm not thinking much about overall themes or preoccupations or anything like that. Instead I'm just trusting that, if I'm working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
The law is the survival of the fittest.... The law is not the survival of the 'better' or the 'stronger,' if we give to those words any thing like their ordinary meanings. It is the survival of those which are constitutionally fittest to thrive under the conditions in which they are placed; and very often that which, humanly speaking, is inferiority, causes the survival.
The book that I wrote is called Dark Money, and it's about secret spending that is very hard to follow. [George] Soros's whole thing is about government transparency, so he spends very much in the open, and the same with [Tom] Steyer.
I'm very happy where I am, with the comradery with the incredible actors, producers and writers [of The Strain]. I am ready and very excited to work here. There is a potential here. Even though survival here is hard, work is hard and commitment is harder, the potential for where you can go can bring you further. This is the country that is possible. That's not possible in Europe.
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