I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
I wake up in that state of grief when you can tell you've been mourning even in your sleep.
Brothers Bunk Beds! That's how we grew up. We grew up in a small house, a ranch style home, with three bedrooms and one bath.
I grew up under Thatcher. I grew up believing that I was fundamentally powerless. Then gradually over the years it occurred to me that this was actually a very convenient myth for the state.
The US head of state grew up on food stamps. The British head of state grew up on the postage stamps.
I grew up in a house full of books, and we belonged to the Country Lending Service - each month the State Library would send us a parcel of books by train.
When John Coltrane passed, we were in the church for the memorial. Albert Ayler came walking in playing, real out there. He was actually mourning through his horn. Mourning, but it was also like a call to wake up. Wake up!
There is nothing to be compared to this, 'cause we lost our brother, our hero. The world is mourning. We are mourning. The fans are mourning. It is unreal. Unbelievable.
I grew up with the British-Chicago crossover of house music with a lot of pianos and very heavy bass lines, but what I love about house is you can mix it up a bit.
I grew up with lacrosse in my life because my dad played lacrosse all throughout college, so I grew up with the gear in my house - like the sticks, the helmet.
This house I grew up in was built in the 1800s, and the back yard was like a cemetery. Naturally, I grew up in an environment where ghosts and supernatural things were very unnerving to me, because my brothers and I dealt with it on a daily basis.
In our house, everyone's opinion is welcome. I grew up in a house where everything wasn't when it came to politics or religion.
The Black Lives Matter movement can be read as an attempt to keep mourning an open dynamic in our culture because black lives exist in a state of precariousness. Mourning then bears both the vulnerability inherent in black lives and the instability regarding a future for those lives.
I grew up in constant fear of eviction.
Reading is how I became an actor because I didn't grow up in a house where there was an awareness of film or theater. I also grew up in a house full of teachers, so reading was big in our world.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.