A Quote by Maurice White
In the 70s, GEORGE CLINTON and PARLIAMENT FUNKADELIC and EARTH WIND & FIRE, we were very serious about our music and who we were trying to touch. I think that's why the music of the 70s has not died - because it has a rejuvenating quality to it.
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When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
Why do we think the '70s were so awesome? That 'freeness' of music was there.
I found dozens of albums I loved every year of the early 70s and more in the late 70s and more still in the decades since, partly because I knew more about music by then and partly because there were more to choose from.
We were responding to a period in the 70s when we started that it was very much you cannot be involved in music unless you studied to do music.
The fun image is what we project onstage, because our music is dance music. But it's not what the group is about We're very serious about our music and the band and producing good quality songs.
The '70s were full of creativity. Everybody was so unique. It was a very creative period, and I think to be a designer you have to know a little about art and literature and music because there is inspiration in all of these things. You're looking for beauty but also something that makes sense.
I think the '70s was a much healthier period for music because people were more innovative and creative.
'70s music is the kind of music I listen to. '70s clothes, I adore.
In the past, in the '60s and '70s, genres were much more segmented. You had action guys who were deadly serious about it, and I think you had comics that were comics.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.
We never overthought the message aspect of Earth, Wind & Fire. We pretty much were all raised the same... We just wanted to contribute positivity in our music and humanity.
It was darn nigh impossible for women in rock in the '70s. There wasn't a mold if you were a woman and you were in the entertainment in the '70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.
It was darn nigh impossible for women in rock in the 70s. There wasn't a mold if you were a woman and you were in the entertainment in the 70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.
I'm still very interested in the things that happened in the '80s and the '70s because I think that they were very important years for Nigeria. In the '80s, we were under a military dictatorship for quite a while, and I think that the way we engage with our country as citizens was shaped in many ways by the events that took place in that time.
I saw. I wanted to start my own store so people would know that what they were buying was real. There were bootlegs around at the time that had my name on the cover, but the music had nothing to do with me. I'm not trying to compare myself to [Jimmie] Hendrix, but back in the '70s, there were some Hendrix bootlegs.
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