A Quote by Maurice White

I remember when A love Supreme was released - I heard it at a friends house. ... Man it was incredible. That record sounded different than the rest. I was trying to gather my spirituality together, trying to get an understanding of life ..... I felt Coltrane was the first musician who made a transition from one side to the other.
John Coltrane is still probably one of the greatest musicians of this century. His tone truly puts demons on a leash. His gift is directly from the mind of God and is very powerful. ..... The first time I heard a Love Supreme, it was really an assault. It could've been from mars as far as i was concerned, or another galaxy. I remember the album cover and the name, but the music didn't fit into the patterns of my brain at that point. It was like someone trying to tell a monkey about spirituality or computers, you know, it just didn't compute.
If you're trying to diet, what do you do? You grab your two friends and say, 'We're going to the gym; let's do this together.' Money shouldn't be any different. If you're trying to make progress, if you're trying to save more, we really need to be able to get support.
The first time I actually heard any of the Beatles' music it was in a car. I think it was the, the B side of their first record. I think it was "I Want to ... I Want to Hold Your Hand". And it, it really sounded different to me. And it sounded a bit like trouble, like this is something new 'cause I very rarely paid any attention to what anyone else was doing.
It took me three albums to get the confidence and to find out what I could do that made me different from other people. And the first record, really, was a process of trying.
I'm trying to figure out how to record at home because I have a tiny house and a seven-year-old and my wife also works at home. So I can't work in the house because she's trying to write, so I pitched a tent in the backyard. I'm literally trying to record in the tent.
When Elvis sang, it almost sounded like he was whispering. But after you heard the record, his voice was the strongest thing you ever heard. He was incredible.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
You are trying to do a more difficult thing than record folk songs; you are trying to record life.
I can't really remember my life without movies... [Growing up in Hollywood] is no different really. I make movies the same way other kids play tennis or go to piano lessons. I'm trying to get better at what I want to do, just like other kids are trying to get better at what they want to do.
I heard a computer scientist the other day refer to playing with the Kinect as 'storytelling.' At first I thought that sounded a little high-minded, but after trying a few games I could see what she meant.
At first the music almost repelled me, it was so intense, and this man made no attempt to sugarcoat what he was trying to say, or play. It was hard-core, more than anything I had ever heard. After a few listenings I realized that, on some level, I had found the master, and that following this man's example would be my life's work.
I've given up on trying to explain myself, or trying to set the record straight, or trying to get people to understand what I'm really like as a man, outside of my acting, outside of my job.
A man could spend the rest of his life trying to remember what he shouldn't have said.
Alas, why will a man spend months trying to hand over his liberty to a woman--and the rest of his life trying to get it back again?
In theater and dance, I was trying to win someone's approval, trying to get in, trying to be good. It felt out of my control, whereas music suddenly felt like this free expression. It was fun.
I'm speaking to someone I'm trying to get to fall in love with me. I'm trying to speak intimately to one person. That should be clear. I'm not speaking to an audience. I'm not writing for the podium. I'm just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I'm trying to interrupt some silence in their life, which is utterance.
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