A Quote by Maurice White
I've never been to anywhere in Africa except Egypt. We've never performed there, so I would definitely like to make that trip, probably to South Africa. I'd also like to score a movie from top to bottom. I've had songs in a bunch of films but never done an entire movie. I'd like to do that and have it to be a hit, too!
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I've never had a big hit movie. "MASH" was probably the biggest. I don't make those kind of films, and I never have. I wish each one of them would just do billions of dollars worth of ticket sales, but they never do and they never will.
I went to South Africa - Durban, Cape Town, Johannesburg - and those were definitely the "I've arrived" shows. Outside of the money, the success, the accolades ... This is a place that we, in urban communities, never dream of. We never dream of Africa. Like, "Damn, this is the motherland." You feel it as soon as you touch down. That moment changed my whole perspective on how to convey my art.
When I was in government, the South African economy was growing at 4.5% - 5%. But then came the global financial crisis of 2008/2009, and so the global economy shrunk. That hit South Africa very hard, because then the export markets shrunk, and that includes China, which has become one of the main trade partners with South Africa. Also, the slowdown in the Chinese economy affected South Africa. The result was that during that whole period, South Africa lost something like a million jobs because of external factors.
With 'The Replacements,' it was insane. I'd never done a movie that opened up and made, like, seven million dollars. I'd never been part of, like, a four-day press junket for a movie that was international and domestic.
'Anchorman' was never supposed to be a popular, like, hit movie. That movie was a cheap movie - it felt like we were working on a weird independent comedy in a way.
I haven't traveled in Africa nearly as much as I'd like to. I've been there a few times, and I'd like to learn more about the various cultures in Africa. But that's the basis point of where all of the music that I love is based upon, from Africa to Cuba to Puerto Rico to South America.
It's enough to play for South Africa and take wickets for South Africa, and then I managed to get 400. I never thought that that would happen.
Over all these years, I have never had a hit movie, never had a hit television programme and never had a hit record. To my way of thinking, that means success has not been achieved. I have made no mark of my own creation. This is something to be considered.
It may never happen, but I'd love to make a movie and not be rushed or concerned about shooting too much film. Probably a fantasy, but it would be nice. It would also be cool to fill a movie with all my favorite songs, but music is so damn expensive. We can't all be Cameron Crowe.
I always knew I wanted to be an actress, and I had the attitude that I would learn more under people like Samuel L. Jackson, Laurence Fishburne or Mike Myers than from someone who had never starred in a movie. I just didn't think that someone who had never been in a movie could teach me how to act in one.
I never knew how much you had to do to promote a movie, and I can't imagine what it would be like if you didn't like the movie you were promoting.
I would like to flood South Africa with black personages of all sorts of persuasions: writers, educators, businessmen, you name it. If you are black and have any clout at all, I would like to see you go to South Africa and look for yourself and come back and try to use the tools that you have at your command to try and help the brothers down there.
South Africa, it's like the little asshole of the whole world - it's, like, the bottom. It's, like, in the dark depths of the hallway.
I always dreamt that, but I never thought I will be here one day playing my 100th game for South Africa. It's an absolute honour and privilege, being given the opportunity by the lovely people from South Africa.
I think I've always been kept grounded. I've never been too involved with the movie business apart from just doing the film. I've never moved out to LA like a lot of people or been too drawn in by that.
We were shooting a scene of the Phoenix Ashram in South Africa, but the set was in India. All the donkeys in the vicinity were painted black and white to look like zebras in case one of them strayed into the scene so that it would look like South Africa.
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