A Quote by Mauricio Kagel

I've certainly stayed a marginal figure, though I became a member of the "surveillance committee" fairly early on. I can actually live pretty well with this, because I'm allowed to work in peace - except when I have to give strings of interviews... And also, I've never sought a position of power in the music business. I became a teacher not so as to found a Kagel School, but to transmit knowledge. My work as a composer should be the only yardstick by which my contribution can be measured.
I always hankered to be a composer - I was mad about music, though I never studied seriously, and can't read a note. But I learned to play the piano and became pretty skillful at improvisation, especially after a drop or two.
I became a teacher all right. I wanted to become a teacher because I had a misconception about it. I didn't know that I'd be going into - when I first became a high school teacher in New York, that I'd be going into a battle zone, and no one prepared me for that.
I became frustrated early on as a playwright by a kind of smug smallness in modern drama. There was a lack of what I now understand as courage in the work of others as well as in my own work, and I found I was mildly amused or interested by such plays but not deeply engaged or enlightened.
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
I'm pretty much using media all day because my school is online. It's sort of like homeschooling but also like going to real school - you log in and do all your work and email it to the teacher, and we have a teacher who oversees us on set.
Once I got into high school, any time I had to do a talk or a speech, I just loved being up in front of an audience, it was always a character. And then I discovered that an impersonation of the teacher was a really, really good way to get a laugh, and it would also get you good marks, because the teachers were always bored and loved to be the "teacher-parody." So that became my little trick at school, and I became known for doing that.
Bei Dao became the most well-known name for me because of certain criticism of my work. Bei Dao was the name under which my work was criticized. So I became more well-known under Bei Dao than under the other names.
Well, I actually first got into music as a small child, and as I became a teen, I sought out making money from music, weather that was singing lounge gigs, backup in studios, or weddings.
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.
I had been to São Paulo the year before and became pretty well acquainted with the music of composer Antonio Carlos Jobim, I had already started playing that music, and the audience response had been pretty good because those songs are so melodic. I knew it would be something that would be appealing; I wasn't thinking that it would make the top of the pop charts or anything like that.
Most people think that once they've found their purpose and the power to practice it, they'll finally be at peace. Actually, though, it's only by starting in a place of peace that we find our purpose and power. Peace is the first step and the final lesson we all need to learn.
I grew up and I became very successful at what I did as a young man. I became a work addict because this was the only way I could get any relief from this pain.
Where do we say that a cell became a blade of grass, which became a starfish, which became a cat, which became a donkey, which became a human being? There's a real lack of evidence from change from actual species to a different type of species.
I became a victim of my own good work in 'Buniyaad.' It established my credentials as an actor but I became Babuji forever, the benevolent father figure with a perpetual smile, who has a discourse on sanskaar ready.
Merit is a work for the sake of which Christ gives rewards. But no such work is to be found, for Christ gives by promise. Just as if a prince should say to me, "Come to me in my castle, and I will give you a hundred florins." I do a work, certainly, in going to the castle, but the gift is not given me as the reward of my work in going, but because the prince promised it to me.
The dot that became a speck that became a blob that became a figure that became a boy
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