A Quote by Mauricio Pochettino
Rather than complain about a thing you cannot change, I try to find a solution to help the performance in the best way.
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You may not control all the events that happen to you, but you can decide not to be reduced by them. Try to be a rainbow in someone else's cloud. Do not complain. Make every effort to change things you do not like. If you cannot make a change, change the way you have been thinking. You might find a new solution.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
Make every effort to change things you do not like. If you cannot make a change, change the way you have been thinking. You might find a new solution.
What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it. Don't complain.
Whenever we propose a solution to a problem, we ought to try as hard as we can to overthrow our solution, rather than defend it.
I hear so many people talking about what's wrong, whether it's climate change or whatever, but so few say, 'Well, look, we've got this problem, so let's find the solution. Let's find a scientist, let's find politicians who are prepared to shape the future, or try and keep up with it.'
I've always respected those who tried to change the world for the better, rather than just complain about it.
I try to take off the rose-colored glasses and view it in all facets, but I probably would be lying if I didn't say that probably the way in for a film with me is the performance. But I have been on juries where you have to give Best Screenplay, Best Cinematography. So you do have to put on several different hats and I try to broaden my scope. And what's great is, when you're in a room full of people who are not your milieu, so to speak, you find yourself speaking in a way that you do discover a slightly discerning eye.
John Milius and Francis Ford Coppola and Oliver Stone - those guys are consummate filmmakers. They believe that you don't talk it, you show it. So when I find a role now, I try to find a visual way to tell what the character is about rather than trying to speak about it.
It's time to break our ties with anything in us that would rather complain about its situation than go to work to change it.
I came back to Philips and quickly realised that the TV business had a major performance issue and some structural challenges. Rather than try to tweak it and sit things out, we said we had to go for a structural solution.
Try to find someone with a sense of humor. That's an important thing to have because when you get into an argument, one of the best ways to diffuse it is to be funny. You don't want to hide away from a point, because some points are serious, but you'd rather have a discussion that was a discussion, rather than an argument.
An institution which is financed by a budget - or which enjoys a monopoly which the customer cannot escape - is rewarded for what it deserves rather than what it earns. It is paid for 'good intentions' and 'programs'. It is paid for not alienating important constituents rather than satisfying any one group. It is misdirected by the way it is being paid into defining performance and results as what will produce the budget rather than as what will produce contribution.
But in a turbulent environment the change is so widespread that it just routes around any kind of central authority. So it is best to manage the bottom-up change rather than try to institute it from the top down.
To see your country being destroyed from afar - it's very hard to only watch and do nothing. My writing is the only way to address my feelings about this disaster and to at least try to find a solution as a writer. I know I have limits. But I have to do my best as a writer.
I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your "moment," or whatever. The story is a lot bigger than you, and you're there to help it along. The thing to think about is whether what you're doing is true to the moment and where the story's going, rather than going, "Here are my scenes. What can I try and do to make the most of them?"
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