A Quote by Maurizio Cattelan

I don't like the idea of having a public image. In the end, you have an image of someone, which becomes true whether it is or not. — © Maurizio Cattelan
I don't like the idea of having a public image. In the end, you have an image of someone, which becomes true whether it is or not.
The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The imageis in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.
Of course, that is true of a lot of people, whether they drink or not - celebrities or actors have an image they've created, and an image people like of them.
The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.
The test of faith is whether I can make space for difference. Can I recognize God's image in someone who is not in my image, who language, faith, ideal, are different from mine? If I cannot, then I have made God in my image instead of allowing him to remake me in his.
We act, we behave, and we feel the vibration that we're in at the present time according to what we consider our self image to be. And we do not deviate from that pattern. The image you hold of yourself is a premise, a foundation (idea) on which your entire personality is built. This image, not only controls your behavior but your circumstances as well.
The image itself is kind of the least important factor to me, though I'm still interested in putting forth an interesting image. I see the image as the screen laid over top of what really interests me, which is that depth of surface and that filmic quality that it has when you pass the piece. The idea that my pieces look like paintings, but are most definitely not, is really interesting to me.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
It is bad enough to be condemned to drag around this image in which nature has imprisoned me. Why should I consent to the perpetuation of the image of this image?
We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.
I think that you have to present an image that is... true to you, and... the way you would like to be perceived, so I think that through the years I've worked really hard at trying to create an image that is true to me.
We are not to reflect on the wickedness of men but to look to the image of God in them, an image which, covering and obliterating their faults, an image which, by its beauty and dignity, should allure us to love and embrace them.
For five albums, I would create an image of someone that wasn't true to who they were. I'd be in love with an idea. It's not an uncommon problem.
Anybody who becomes a movie star becomes successful at projecting a certain image to the public.
The image of God always abides in the soul, whether this image be obsolete and clouded over as to amount to almost nothing; or whether it be obscured or disfigured, as is the case with sinners; or whether it be clear and beautiful as is the case with the just.
The worst times were the years I was alone. The image to the public entering the courtroom was eight men, of a certain size, and then this little woman sitting to the side. That was not a good image for the public to see.
Christ is the most perfect image of God, into which we are so renewed as to bear the image of God, in knowledge, purity, righteousness, and true holiness.
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