A Quote by Maurizio Cattelan

Every work of art is a great promise of escape and, therefore, like an open invitation. — © Maurizio Cattelan
Every work of art is a great promise of escape and, therefore, like an open invitation.
The truth is far beyond what we can see. Therefore my art is an invitation to comprehend this fact.
Do not grieve over the temptations you suffer. When the Lord intends to bestow a particular virtue on us, He often permits us first to be tempted by the opposite vice. Therefore, look upon every temptation as an invitation to grow in a particular virtue and a promise by God that you will be successful, if only you stand fast.
Your greatest creation is yourself. Like any great work of art, creating a great self means putting in hard work, every day, for years.
Right mindfulness does not simply mean being aware; it is like creating a work of art. You can therefore trust what you are doing; you are not threatened by anything. You have room to dance in the space, and this makes it a creative situation. The space is open to you.
For some reason that only a sociologist might be able to accurately explain, the Brazilian Press was extremely unkind to me, reporting only selective derogatory untruthful rumors (some of which are still around), harsh criticism, and unwarranted sarcasm. I was very hurt by this. It was such great disappointment... When I came back from Brazil at that time, I made a promise to myself that I would never, ever again sing in Brazil. So far [as of 2002], I have kept this promise, having declined each and every invitation or proposals to perform in Brazil. Once was enough!
Reading is an escape, an education, a delving into the brain of another human being on such an intimate level that every nuance of thought, every snapping of synapse, every slippery desire of the author is laid open before you like, well, a book.
Every great religion on the planet, regardless of what spiritual or cultural tradition from which it is that it emerges, announces and declares that spiritual mastery is an open possibility for every member of the human race. If that is not true, then the highest promise of God is a lie.
There must always be two kinds of art: escape-art, for man needs escape as he needs food and deep sleep, and parable-art, that art which shall teach man to unlearn hatred and learn love.
The more a man lives, the more a man creates, the more a man loves and loses those whom he loves, the more does he escape from death. With every new blow that we have to bear, with every new work that we round and finish, we escape from ourselves, we escape into the work we have created, the soul we have loved, the soul that has left us.
A good work ethic is not so much a concern for hard work but rather one for responsibility. There have been a great many men and women who have in fact used work or hustle or selfish ambition as an escape from real responsibility, an escape from purpose. In matters such as these, the hard worker is just as dysfunctional as the sloth.
Every great work of art should be considered like any work of nature. First of all from the point of view of its aesthetic reality and then not just from its development and the mastery of its creation but from the standpoint of what has moved and agitated its creator.
Art is not for the personal satisfaction of one or the other, but art wants to return all what's in life... Art wants to give back everything what's in our lives. The more comprehensive the artist stands in life the more powerful his work will speak, and therefore a work of art is a measure of the mental size of his creator.
We are afraid of the known and afraid of the unknown. That is our daily life and in that there is no hope, and therefore every form of philosophy, every form of theological concept, is merely an escape from the actual reality of what is. All outward forms of change brought about by wars, revolutions, reformations, laws and ideologies have failed completely to change the basic nature of man and therefore of society.
I think if you do a lot of interviews, you're laying yourself open. If you put yourself out, accept every invitation to every premiere, then you can't really complain when people knock on your front door and photograph you in the street.
Children of the Nephilim," Magnus said. "Well, well. I don't recall inviting you." Isabelle took out her invitation and waved it like a white flag. "I have an invitation. These"--she indicated the rest of the group with a grand wave of her arm--"are my friends." Magnus plucked the invitation out of her hand and looked at it with fastidious distaste. "I must have been drunk," he said. He threw the door open. "Come in. And try not to murder any of my guests." Jace looked at him, "Even if one of them spills something on my new shoes?" "Even then." - 219
Even now, my back was still arched with sensual invitation, my bottom was questing up like a cat in heat, and my every move was supple, sinuous. I was one great big come-hither.
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