A Quote by Mauro Icardi

Playing for Barcelona's academy was a very important time for me and my career, as I learned a great deal here. — © Mauro Icardi
Playing for Barcelona's academy was a very important time for me and my career, as I learned a great deal here.
It was a great time in my career, playing for Barcelona with the best players in the world, in the best team in the world at that moment. It was amazing for me. I can always say to anyone that I played at Barcelona with Messi, with Xavi, with Iniesta, with Pedro, with Pique. And we won a lot of trophies.
THE GODS was my first professional band and I learned a lot during that time. It was very cool playing with so many great musicians as it helped me to learn.
Barcelona is my life. They have brought me to where I am today. I could not leave, I don't want to leave. I know the Premier League is very good. But I cannot see myself playing in England because my heart is with Barcelona, always.
The most important thing I learned was the value of personal friendships and working cooperatively with your peers - the Academy has a saying, 'cooperate to graduate,' and that remains a very important central core in my thinking today.
The truth is my idea has been to always stay at Barcelona and see out the rest of my career here. Like I always say, one doesn't know what can happen in the future, but if it were up to me to decide, I would stay at Barcelona for the rest of my career.
I thank God for having played for four years in the best Barcelona team in history, but playing in the Premier League is also very important.
Early on in my career, when I had basically been a sitcom actor for all of these years, and I made my first movies, and they were comedies, and they were successes, it was very important for me to stretch, and 'Parenthood' was one of those films. Even though it was a comedy, there was a great deal of authentic drama in the piece as well.
For the most part, I have a very manageable celebrity. People recognize me from time to time, and they usually say very appreciative things. It affords me a great deal of pleasure.
Guardiola was a very special coach for me, the first when I was at Barcelona. He is a great coach, a lovely person, and I have very good memories of that time, but I would have liked to have had a full year with him.
Anybody who has a career is going to have to deal with a rumor in their time, or something that usually isn't true. I have a great team behind me and a family that supports me. I just care too much about my career. I have been working too long to let it slip away for something stupid.
With what I've already achieved in my career - winning trophies and playing in finals, important matches against Real Madrid and Barcelona, winning the Europa League and the Super Cup, and in the Champions League - sometimes you've earned the right to say something.
I see cities as organisms, as living creatures. To me Madrid is a man and Barcelona is a woman. And it's a woman who's extremely vain. One of the great Catalan poets, Joan Maragall, wrote this famous poem in which he called Barcelona the great enchantress, or some kind of sorceress, and in which the city has this dark enticing presence that seduces and lures people. I think Barcelona has a lot of that.
I would love to have a career like Zinedine Zidane. He stopped playing, took some time, realised he liked coaching, and started working in the youth academy. I could follow a similar path.
Like so many of the players, I started at La Masia at the age of 11. I can't ever imagine not playing for Barcelona, let alone not playing soccer for a career. I don't ever want to play anywhere else.
You are different from the really great man in only one thing: The great man, at one time, also was a very little man, but he developed one important ability: he learned to see where he was small in his thinking, and actions. Under the pressure of some task which was dear to him he learned better and better to sense the threat that comes from his smallness and pettiness. The great man, then, knows when and in what he is a little man.
There was a time when fast playing and fretboard pyrotechnics on the bass were important to me and when I am recording a bass track, that is still very important to me.
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