A Quote by Mauro Icardi

People mainly talk about the goals in football, so that's why people talk a lot about me, but a team is created with everybody's input. — © Mauro Icardi
People mainly talk about the goals in football, so that's why people talk a lot about me, but a team is created with everybody's input.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
A lot of guys... they want to take the big shot, and they talk about it because they're scared of it. You never heard me talk about it. You heard a lot of guys talk about it. But you don't have to talk about it, because if you have the confidence in yourself, and your team believes in you, you don't fear anything. You don't fear losing.
It's the biggest thing in the world in many ways, football. People don't want to talk about politics. They don't want to talk about religion. They want to talk about football - wherever you go.
I think people enjoy reading about money, but the people who are in charge of giving me guidance tell me not to talk about it in interviews. Why not? That's what everybody thinks about.
How many black people are there in the higher echelons of any industry? We can talk about journalism, we can talk about politics. So why should football be any different?
It's not necessarily a brave thing, people talk about what they think about. There's people out there who love to talk about politics or where they think the countries headed. I don't talk about that I talk about...things that are a little trippier.
If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate is telling people a lot. It has so little to do with me. I come up against a wall.
There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.
I don't like to talk about myself. I don't want to talk about what I do, what I think I do. The position I play on the pitch, I am expected - and I expect - to create chances for my team-mates and score goals.
Football is losing its essence: people talk about celebrations instead of goals.
Broke people talk about people and problems. Rich people talk about ideas and goals. Your conversation chooses your destiny.
We have to play football and not talk. We don't talk about politics, the personal opinions, and debates - you take them home. We only talk about football. That's what we are here for.
Acting is like sex: you either do it and don't talk about it, or you talk about it and don't do it. That's why I'm always suspicious of people who talk too much about either.
If you talk to a lot of people in government, they will talk about the pathway to getting something done rather than the thing itself. And I just talk about material outcomes.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
What I don't like about the music industry is everything. It's very Satanic, people are evil, they talk about money, they talk about things that don't really matter, and they brainwash everybody.
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