A Quote by Mauro Ranallo

When I'm talking or performing, I'm alive. That's why I work so much. — © Mauro Ranallo
When I'm talking or performing, I'm alive. That's why I work so much.
When you're alive and everything is going fine, why talk about things? Talking's for later, when talking's all there is that's left.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.
I'm grateful to be alive, because I really did not think I was going to be alive, onstage performing songs.
Yes, alive,” said Fudge. “That is — I don’t know — is a man alive if he can’t be killed? I don’t really understand it, and Dumbledore won’t explain properly — but anyway, he’s certainly got a body and is walking and talking and killing, so I suppose, for the purposes of our discussion, yes, he’s alive.
I have a simple rule: when I'm on TV, I'm not talking to just my anchor or my colleague on my right. I'm talking to America. I look into the lens, and in my head, I'm talking to somebody in Nebraska. Why Nebraska? Why the Cornhusker State? I have no idea. But it feels like it's a good place to talk to people.
Less talk - more work! There is too much talking going on. Because of excessive talking, spiritual energy is being wasted.
What matters is how well we do in trying to make people's lives better. That's why I'm doing this. That's why I work the way that I work. And that's why I love what I'm doing so much.
Now look at me! Take a good look! I was born and I knew I was alive and I knew what I wanted. What do you think is alive in me? Why do you think I'm alive? Because I have a stomach and eat and digest the food? Because I breathe and work and produce more food to digest? Or because I know what I want, and that something which knows how to want—isn't that life itself? And who—in this damned universe—who can tell me why I should live for anything but for that which I want?
I don't do the media because of 'Woo-woo, Julia Butterfly,' as I call it. I'm not into promoting me. I'm into talking about why I've done what I've done, why I continue to do this work and why other people should care.
I'll always be remembered for 'Frampton Comes Alive!,' but I've got so much other work that I've done since that, that I feel it's almost like after 'Frampton Comes Alive!' ran its course, my career - I'll say it - 'Petered' out.
Why do we cling to life and why are we afraid of death? You may not have thought about it. The reason why we cling so much to life and why we are afraid of death is just inconceivable. We cling to life so much because we do not know how to live. We cling to life so much because really we are not alive. And time is passing and death is coming nearer and nearer. And we are afraid that death is coming near and we have not lived yet.
The question is why one should be so inwardly preoccupied at all. Why not reach out to others in love and solidarity or peer into the natural world for some glimmer of understanding? Why retreat into anxious introspection when, as Emerson might have said, there is a vast world outside to explore? Why spend so much time working on oneself when there is so much real work to be done?
I always work hard on and off the pitch for the Saturday's game, and it's all about performing on a Saturday; that's why I work my socks off during the week.
There's so much interference, so much static and people's voices talking about what you do and why you do it that I've learned to be like, 'No, no.' It's actually simple. I just do this.
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