A Quote by Maverick Carter

I come from a big family where we tell big stories. All we had was the storytelling. — © Maverick Carter
I come from a big family where we tell big stories. All we had was the storytelling.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
I'm an only child, so I don't come from a big family. But it has been my observation from friends who do come from big families that usually, when you have a family fight, on the back end you come out better and stronger for it.
We are shaped by stories from the first moments of life, and even before. Stories tell us who we are, why we are here, and what will become of us. Whenever humans try to make sense of their experience, they create a story, and we use those stories to answer all the big questions of life. The stories come from everywhere--from family, church, school, and the culture at large. They so surround and inhabit us that we often don't recognize that they are stories at all, breathing them in and out as a fish breathes water.
I first studied to be a preacher, but decided that I was too prone to tell big stories. Then I studied Blackstone for a while and soon learned that I was not adept enough at prevarication to make a successful lawyer. I then made up my mind that I would seek some field where I could tell big stories and tell the truth.
I am a storyteller, and I grew up with a father who told big-fish stories, so storytelling is very much a part of me. It was a part of my family.
I was always interested in sport. My family are big sports' fans. We always had all the locals round watching big sporting events. I wasn't particularly sporty myself. I played a lot of hockey and rode, still do ride, but I just had a general interest in it. When I was given the opportunity to do sport stories I used to grab them.
What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
I tell my children now that they are older, 'If something happens to me... don't make no big fuss over me. Don't make no big expense on my funeral. Don't put any pressure on the rest of the family. I've loved everybody, and I hope they loved me. But don't create this big expense for the family.'
Many people have said to me, "What a pity you had such a big family to raise." "Think of the novels and the short stories and the poems you never had time to write because of that." And I looked at my children and I said, "These are my poems, these are my stories."
I forced myself to have a big family because I never had a big family.
My family has loved Minnesota and that was one of the big reasons we decided to come back. For me, family decisions were a big part to coming back to the Twins.
In the shows I've done serialized storytelling with, there are big open questions, but you like every episode to be identifiable as what it is. It's also very important that each season is identifiable. There's usually some big thing that you're trying to wrap up. There are big bows that you're trying to tie, by the end of the season, that you would do anyway because it's just good storytelling to tie those things up.
Although I'm up for working in any genre, I do love the passion and dynamic storytelling that horror stories can provide. Dealing with big questions and possibilities of all sorts of stories with life and death consequences is enthralling and exhilarating to me.
You are what you think. So just think big, believe big, act big, work big, give big, forgive big, laugh big, love big and live big.
My folks ain't graduated from high school or nothing like that, so we always had to struggle in the family - and I come from a big family.
We can't tell particularly smart stories if we want to keep our audience big enough to pay for these big spectacle films that we want to do.
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