A Quote by Max Aaron

I want that three quad program! That's what's going to set me apart in the U.S. — © Max Aaron
I want that three quad program! That's what's going to set me apart in the U.S.
Once I landed the triple Salchow, I put it in the program. First landed triple toe, straight into the program. That's what I did with my quad suite.
When you're a teenager, you don't want to look different. So being very tall can set you apart, not being able to see very well can set you apart... and you just want to fit in. We all do.
To me, as a producer, I always want something to set stuff apart.
I didn't want to just be another girl singer. I wanted there to be something that set me apart.
This Obamacare program has Obama's name on it. He lied to people for three years about this program. People trusted him. People believed what he told them. They believed that he was going to improve the health care system in this country, and it was going to get cheaper, more affordable, more plentiful.
I'm competing against men who are doing five quads between the short program and the long program, and I'm at three between the two programs. Who would ever imagine that three wasn't enough for some people?
One thing is certain: Nothing will set you apart from culture more than the exclusive claims of Christianity. And it is here that we must intentionally set ourselves apart-because if we do not, we will have no message for the world!
In the presenting area, there's nothing that really sets me apart from anyone else. It's something I enjoy but I was never going to set the world on fire.
We are not set apart to rule, but chosen and set apart to serve.
You've got to understand that in Bollywood, every actor is an instrument, and yet a human being. They come to the set with a set agenda, believing, 'This is who I am, this is what I want, and no, I am not going to become that character you want me to.'
I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.
Starting my carrer, I had three rules. I called a press conference and said: you can't kill me in a movie; I win all my fights in a movie; I get the girl at the end of the movie if I want her. They weren't about to hear that, and I knew that I would have to do that myself, but I set the public up and set the press up letting them know what I was going to do: continuing to sell the brand and image that I had.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists.
I'll look through a script, and if there's a lot of night shooting I tend not to want to do it. If there's huge party scenes and I'll go through a few pages and say "Well, at least I'm not in this," then the last page my character walks in and says something, I say, "Uh oh, that's going to be three days on the set sitting around drinking coffee at the craft-service table." Unless it's a great part. All in all if it's a great part you'll do it and I'll say, "Well, I'm gonna be on the set for three days."
It's just the environment that we're in right now. There's a lot of people who still don't want to believe that the program we have in place is a good program, and that it's going to work. They're just trying to find a way to shoot holes in it.
Politicians step up and say, "This is what were going to do: we're going to set aside 450 million dollars for a mentorship program for orphaned youth," and so on and so forth, and it sounds great in this romanticized vision of what these alleged leaders are going to do for the alleged meek. But it doesn't examine: why are these kids orphans?
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