A Quote by Max Azria

For me, one of the biggest designers is Azzedine Alaia. Everything he is doing is fantastic. — © Max Azria
For me, one of the biggest designers is Azzedine Alaia. Everything he is doing is fantastic.
When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice. I know everybody mentions Azzedine Alaïa, but he's been going for a long time in the system - showing to people, selling to clients - and I think it's admirable how he's transformed it into his own system in a way, but it's still a system.
I have a great admiration and tenderness for Azzedine Alaia. I haven't seen him in a while, but I guess he must be still sewing some dresses at night.
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span.
I buy a lot of fashion, and I wear many different brands. Even though I'm not so conceptual in my style, I probably buy the most from Junya Watanabe. It's always so spot on and of-the-moment although it's also so sophisticated and conceptual. I also love Marco de Vincenzo, Azzedine Alaia, and Yohji Yamamoto.
My favourite designers always create a strong silhouette, like McQueen and Tom Ford and Alaia. I like structured things that you can throw on, and it's almost like armour, and you're, like, ready for the day.
I always have a soft spot in my heart for New York designers and independent designers, people who are doing the fashion equivalent of what I'm trying to do in film.
As designers we have a great responsibility. I believe designers should eliminate the unnecessary. That means eliminating everything that is modish because this kind of thing is only short-lived.
Being in the moment is everything. So being in the moment for me is just letting the narrative play out, listening to the designers and giving them helpful feedback about what they're doing.
You don't need money to look fabulous. There are so many awesome new designers, so many designers doing collections for mass retailers.
The biggest thing Rick Rubin taught me is that you don't get any extra credit by doing everything yourself.
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
Unlike Etsy, which is all handmade, we print and ship the products, not the designers. We relieve the designer from having to make and ship everything, package it, and provide customer service. All the designer has to do is submit art and keep doing what they love doing.
To make a living from doing something I love is fantastic. As long as people want to listen to me, I'll keep doing it. In fact, to tell you the truth, even if no one did want to listen to me, I'd still be doing it!
I have a great set of executive producers helping me out. I have a great cast and crew. AMC has been fantastic. I'd say it's everything I was doing before, just eighteen other jobs. I love it.
Until 1986, developing games was a mere hobby for me. Back then, I didn't know that game designers existed, because the designers' names didn't appear on the boxes.
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