A Quote by Max Barry

Someone from the Internet Writing Workshop sent me a link to the Gender Genie, where you paste in a section of text and it uses an algorithm to detect whether the author is male or female. Or, if you're an author, you can tell whether you're really nailing your opposite-sex characters. I mean, nailing their dialog.
A reader kindly pointed out to me recently that most of the quotes I include are by men. And it's true. Personally, I don't even consider whether the author is male or female, nor even care much who the author is - what's significant is the message. Of course, women are equally capable of great insights, however in our culture it's not so long ago that women could not even be published
Writing is transmogrifying, not just for the reader but also for the author; an author becomes someone he or she isn't by living the lives of his or her characters.
Whether the author intended a symbolic resonance to exist in her book is irrelevant. All that matters is whether it's there. Because the book does not exist for the benefit of the author, the book exists for the benefit of YOU. If we as readers can have a bigger and richer experience with the world as a result of reading a symbol and that symbol wasn't intended by the author, WE STILL WIN.
The strongest factor in conditioning is sex, in the sense that the first thing that a person is really taught is whether they are male or female.
It is always a tense moment for an author to see how someone hasillustrated his or her story, because the author has lived for so long with these characters, sometimes for years.
Being in a band, whether your female or male, is really hard.
Whether it is Iraq, whether it is Yemen, whether it is Lebanon, whether it is Syria, I mean North Africa, you could go through the list of countries where Iran as the largest state sponsor of terrorism uses these proxies... to foment chaos in the Middle East.
One glance and I knew exactly who and what he was. The classic alpha male, the kind who had spurred evolution forward about five million years ago by nailing every female in sight. They charmed, seduced, and behaved like bastards, and yet women were biologically incapable of resisting their magic DNA.
There are three pillars, regardless of your work culture, whether you're in Silicon Valley or on Wall Street: how you look, how you speak, and how you behave. It's all three things, and nailing them makes you a contender.
The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.
That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill. Who was it said - one of the famous lady novelists - 'unhappy is the family that contains an author'?
What I found is, really, you always have to begin by nailing what is true about you, because something that works very well for someone else might not work for you at all.
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
The relationship with the words someone uses is more intimate and integrated than just a quick read and a blurb can ever be. This intimacy - the words on the page being sent back and forth from engaged editor to open author - is unique in my experience.
When you're writing on someone else's show, you don't have to think as hard about nailing the perfect tone because you're kind of just like, 'Here's 20 ideas I thought of, and they can just pick the closest.'
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