A Quote by Max Beckmann

Height, width, and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space.
According to String Theory, what appears to be empty space is actually a tumultuous ocean of strings vibrating at the precise frequencies that create the 4 dimensions you and I call height, width, depth and time.
I think not in two or three dimensional terms but in five dimensional terms when I consider a novel. There's height, width, and depth, there's the time factor, and then there's the factor which I call the cerebral factor of the reader, the way the reader adjusts to all the other dimensions, which is the fifth dimension.
In order to understand the phenomena in a certain plasma region, it is necessary to map not only the magnetic but also the electric field and the electric currents. Space is filled with a network of currents which transfer energy and momentum over large or very large distances. The currents often pinch to filamentary or surface currents. The latter are likely to give space, as also interstellar and intergalactic space, a cellular structure.
Abstract is not a style. I simply want to make a surface work. This is just a use of space and form: it's an ambivalence of forms and space.
The silence in the room had width, height, depth, mass and substance.
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.
Descriptive geometry has two objects: the first is to establish methods to represent on drawing paper which has only two dimensions,-namely, length and width,-all solids of nature which have three dimensions,-length, width, and depth,-provided, however, that these solids are capable of rigorous definition. The second object is to furnish means to recognize accordingly an exact description of the forms of solids and to derive thereby all truths which result from their forms and their respective positions.
The width of a line may present the idea of infinity. An epigram may contain a world. In the same way, a small picture format may be much more living, much more leavening, stirring, awakening, than square yards of wall space.
A modeled form is less striking than one which is not. Modeling prevents shock and limits movement to the visual depth. Without modeling or chiaroscuro depth is limitless: movement can stretch to infinity.
I need words that mean more than they mean, words not just with height and width, but depth and weight and, and other dimensions that I cannot even name.
I would like to start by emphasizing the importance of surfaces. It is at a surface where many of our most interesting and useful phenomena occur. We live for example on the surface of a planet. It is at a surface where the catalysis of chemical reactions occur. It is essentially at a surface of a plant that sunlight is converted to a sugar. In electronics, most if not all active circuit elements involve non-equilibrium phenomena occurring at surfaces. Much of biology is concerned with reactions at a surface.
God's love has a width, length, height, and depth, but we will never reach the end of it. Our capacity to experience God's love will be exhausted long before God's capacity to give it is strained. The picture of having Christ dwell inside us by faith presents us with compelling and comforting possibilities. What Christ does in us and through us will always be 'exceedingly abundantly above all we ask or think.'
Of these three essential factors, space might be said to be one with which biogeography is primarily concerned. However space necessarily interplays with time and form, therefore the three factors are as one of biogeographic concern.
When we think of the height of God's infinity we should not despair of His compassion reaching us from such a height; and when we recall the infinite depth of our fall through sin we should not refuse to believe that the virtue which has been killed in us will rise again. For God can accomplish both these things: He can come down and illumine our intellect with spiritual knowledge, and He can raise up the virtue within us and exalt it with Himself through works of righteousness.
Nature is more depth than surface, the colours are the expressions on the surface of this depth; they rise up from the roots of the world.
Space. The continual becoming: invisible fountain from which all rhythms flow and to which they must pass. Beyond time or infinity
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