A Quote by Max Beckmann
I believe the reason I love painting so much is that it forces one to be objective.
Related Quotes
I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
God exist whether or not men may choose to believe in Him. The reason why many people do not believe in God is not so much that it is intellectually impossible to believe in God, but because belief in God forces that thoughtful person to face the fact that he is accountable to such a God.
That sculpture is more admirable than painting for the reason that it contains relief and painting does not is completely false. ... Rather, how much more admirable the painting must be considered, if having no relief at all, it appears to have as much as sculpture!
Painting is traditional but for me that doesn't mean the academy. I felt a need to paint; I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting.
I've been part of task forces hunting the most evil humans to walk the face of this planet. I believe all of that was for a reason, because I love America.
I really believe things happen for a reason, and sometimes that reason isn't revealed until much much, much, much later.
I actually am a capitalist, and I believe in shareholders. But I believe in them as a result of what I do, not as a reason for what I'm doing. The same with profits - profits alone cannot be an objective. It has to have a purpose.
Love is such an objective thing. I mean, I can say I love my family, or I love my Diet Coke. So I guess, in different ways, yeah, I do believe in love.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
I love art so much because of curiosity. At the start of a painting, I know 10 percent of what the painting will be, and then I have to improvise the whole thing.
Like the people that in the 60s or 70s claimed the "end of painting" - all they did was open up a whole new branch for painting. Happily, it doesn't work. It's not a reason for art. Closing something out is not a reason for something to exist.
Unconditional love really exists in each of us. It is part of our deep inner being. It is not so much an active emotion as a state of being. It's not 'I love you' for this or that reason, not 'I love you if you love me.' It's love for no reason, love without an object.
So long as painting deals with objective nature, it is an impure art, for recognizability precludes the highest aesthetic emotion. All painting, ancient or modern, moves us aesthetically only in so far as it possesses a force over and beyond its aspect.
Objective painting is not good painting unless it is good in the abstract sense.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
Because they know not the forces of nature, and in order that they may have comrades in their ignorance, they suffer not that others should search out anything, and would have us believe like rustics and ask no reason... But we ask in all things a reason must be sought.
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