A Quote by Max Beerbohm
The critic who justly admires all kinds of things simultaneously cannot love any one of them.
Related Quotes
The only just literary critic," he concluded, "is Christ, who admires more than does any man the gifts He Himself has bestowed.
There cannot any one moral rule be proposed whereof a man may not justly demand a reason. Every man has a property in his own person. This nobody has any right to but himself. The people cannot delegate to government the power to do anything which would be unlawful for them to do themselves.
A god who is capable of sending intelligible signals to millions of people simultaneously, and of receiving messages from all of them simultaneously, cannot be, whatever else he might be, simple. Such Bandwidth!
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
Music critics are, for the most part, bitter people who are intent at dragging people down for being successful at what they want to do, which is probably music. The oddity of being a critic is: You don't get a diploma, you just decide you're a critic. If someone listens to your opinion rather than their own, it's their mistake. Any critic's top 10, any year, it's something controversial or something that will make them look hipper-than-thou. The whole critic game, we've never played.
There cannot any one moral rule be proposed whereof a man may not justly demand a reason.
There are all kinds of darkness, and all kinds of things can be found in them, imprisoned, banished, lost or hidden. Sometimes they escape. Sometimes they simply fall out. Sometimes they just can't take it any more.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
I find it's very confusing when one critic tells you one thing and one tells you something completely different. Unless all the critics agree on parts of the play that just didn't work. I have stopped reading reviews, because I find writing is all about courage. You must have courage when you start writing a play and you cannot have the voice - you must write things out. You cannot have the voice of a critic telling you, "That didn't work in that play, you cannot make it work in another play." Every time you do a production, it's an experimentation.
It is appearances, characteristics and performance that make a man love an airplane, and they, are what put emotion into one. You love a lot of things if you live around them, but there isn't any woman and there isn't any horse, nor any before nor any after, that is as lovely as a great airplane, and men who love them are faithful to them even though they leave them for others. A man has only one virginity to lose in fighters, and if it is a lovely plane he loses it to, there his heart will ever be.
It is decreed by a merciful Nature that the human brain cannot think of two things simultaneously . . .
All outward means of grace, if separate from the spirit of God, cannot profit, or conduce, in any degree, either to the knowledge or love of God. All outward things, unless he work in them and by them, are in vain.
So there are all kinds of things that grammarian purists would argue are awkward forms of speech and sometimes they are intentional for rhetorical effect and sometimes it's the way people chose to write at the time. Inerrancy isn't interested in any of those kinds of things.
All that a critic, as critic, can give poets is the deadly encouragement that never ceases to remind them of how heavy their inheritance is.
You cannot take any people, of any color, and exempt them from the requirements of civilization - including work, behavioral standards, personal responsibility, and all the other basic things that the clever intelligentsia disdain - without ruinous consequences to them and to society at large.
I love the language. I'm just totally fascinated by the sound and the look of words and the kinds of cadences you can create with them, the various kinds of music.
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