A Quote by Max Beerbohm
Have you noticed ... there is never any third act in a nightmare? They bring you to a climax of terror and then leave you there. They are the work of poor dramatists.
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I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
Your culture demands that you bring some kind of crisis to your work and therefore you can not bring any unity to it. In order to bring crisis into your work you have to bring it to a state of expectancy. In other words you have to leave your work in the state of mind of being a question.
And then the work bears a strong sense of leave-taking for me personally. It ends the work I began in the 1960s (paintings from black-and-white photographs), with a compressed summation that precludes any possible continuation. And so it is a leave-taking from thoughts and feelings of my own on a very basic level. Not that this is a deliberate act, of course; it is a quasi-automatic sequence of disintegration and reformation which I can perceive, as always, only in retrospect.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
From Russia I didn't bring out a single happy memory, only sad, tragic ones. The nightmare of pogroms, the brutality of Cossacks charging young Socialists, fear, shrieks of terror.
Never bring a lot of money to where a poor man lives. He can only lose what little he has. On the other hand it is mathematically possible that he might win whatever you bring with you. What you must do, with money and the poor, is never let them get too close to one another.
Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
It's daring and challenging to be young and poor, but never to be old and poor. Whatever resources of good health, character, and fortitude you bring to retirement, remember, also, to bring money.
The first act is the easiest to plot. The second act is always the hardest to plot. Generally a good, you know, sometimes the third act can be difficult because you can get into a rut in the third act - everybody runs to their Corvette, has a chase, and you catch the bad guy.
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
The purpose of terrorism lies not just in the violent act itself. It is in producing terror. It sets out to inflame, to divide, to produce consequences which they then use to justify further terror.
I just started asking my friends if they had noticed. None of them - feminists, mothers, daughters - noticed until I pointed it out. Then I decided to bring it up within the industry. I knew a lot of people, so I'd say, "Have you ever noticed how few female characters there are in kids movies?" when I met a director, a producer, whatever. And they said, "Oh, but that's not true anymore."
The title of my book is 'American Histories,' plural. And as far as I'm concerned, my reading of history is it is a sort of nightmare. It is a sort of nightmare, and I'm trying to wake up from it. And as any nightmare, it's full of much that is unspeakable.
To be honest, in 2012, I was against both candidates, and so I just picked any third party because I thought if more people voted for third parties then they'd have to take third parties seriously.
I had agents in Australia; I just never had any auditions. And if you can't audition, then you can't work. I studied there. I did classes there. I learned how to act. Growing up there, I discovered my love for acting, but I just wasn't getting the opportunities to work professionally.
A show is like having a climax. It's like having an incredible, natural climax. And then suddenly it's all finished, and you don't know what to do next.
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