A Quote by Max Beerbohm

To mankind in general Macbeth and Lady Macbeth stand out as the supreme type of all that a host and hostess should not be. — © Max Beerbohm
To mankind in general Macbeth and Lady Macbeth stand out as the supreme type of all that a host and hostess should not be.
The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
I think 'Macbeth' was a play that I've always gotten so much out of. My wife played Lady Macbeth in a play, and I designed it. There are things in there that are just kind of extraordinary.
I want to play Lady Macbeth. I have a big chip on my shoulder about Lady Macbeth. People usually play her as this cold, Greek witch, but there's no evidence of that in the text! I think her intentions are pure.
The idea of Macbeth as a conscience-torm ented man is a platitude as false as Macbeth himself. Macbeth has no conscience. His main concern throughout the play is that most selfish of all concerns: to get a good night's sleep.
I want to be evil! I did play Lady Macbeth on stage to Alec Baldwin's Macbeth back in New York in 1998. But I've played a lot of characters who are so righteous and understanding. I don't want to be a goody-goody two-shoes all the time.
Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
Hamlet is to Macbeth somewhat as the Ghost is to the Witches. Revenge, or ambition, in its inception may have a lofty, even a majestic countenance, but when it has "coupled hell" and become crime, it grows increasingly foul and sordid. We love and admire Hamlet so much at the beginning that we tend to forget that he is as hot-blooded as the earlier Macbeth when he kills Polonius and the King, cold-blooded as the later Macbeth or Iago when he sends Rosencrantz and Guildenstern to death.
If you look at the play very closely, this is a thirdhand report of what a wonderful hero Macbeth is for saving Scotland. And in the next scene, he's planning to murder Duncan, and you never really know why or what's behind Macbeth.
I have such a great thing I want to do with Lady Macbeth - make her one of the witches - and I have this whole thing where she's very light and dressed in pink and dancing Gaelic dances and throwing roses, but then when her husband's coming home, she does incantations and pulls her hair back, puts on a black leather trenchcoat. I mean, I could tear it up if somebody would give me the chance! But do you think someone would ever let me do Lady Macbeth? I doubt it. But I'm going to keep talking about it.
I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
The most likely explanation is the most practical. 'Macbeth' is a very popular play with audiences. If you want to sell out a theater, just mount a production of 'Macbeth'. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
Historically, Macbeth is one of the greatest kings Scotland ever had. He was on the throne for 19 years, and he simply has this dreadful reputation because Shakespeare manipulated history for the benefit of James I, who was paying him to write the play to blacken Macbeth's name.
I'd really like to play Lady Macbeth.
[May 1958, on playing Macbeth at age 30 and age 48] When you're a young man, Macbeth is a character part. When you're older, it's a straight part.
With 'Lady Macbeth,' I had two other things offered to me, and they would have also been very fun, but you just have to figure that out. And then you do it.
I've always wanted to play 'Lady Macbeth' and Strindberg's 'Miss Julie'.
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