A Quote by Max Beesley
If directors, actors and writers have the ability to drop their alpha-male egos, you will always get better work. In terms of my own demands, I actually want fewer lines. If I can lose a line and do it with my face, I'd rather do that.
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I always want to do something I haven't done before and get to work with other actors, writers, or directors that I want to work with.
Know your lines; otherwise, have an open mind because you want to get lost in the moment. When you have talented actors and directors to work with, then it's pretty easy to do.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
Hmm, can I be obvious and say there is probably a double standard for male vs. female directors? Sadly, I think that's actually the case. And it probably stems from the fact that there are proportionately so many fewer women directors than men ones that each project is perhaps more closely scrutinized for its content.
Often in films there's more of allowing the actors to make the dialogue fit better in their own. Also, you get to a location and the geography is different, so the lines don't line up the right way, so you do have to change stuff.
Hollywood is, of course, loaded with egos, but it's amazing to see how, despite the egos, those collaborators pull together and focus on telling a story rather than butt heads and sabotage what is extremely hard work and investment just because their ego apparently demands it.
Nowadays they have 12 directors and 15 producers and 30 writers. And all the writers want their lines said a certain way-which isn't necessarily funny. I mean the lines aren't necessarily so funny to begin with.
It's a reality of art that the fewer lines you get, the harder it is. Cartooning is actually harder than realism. You have less to work with. It's like trying to build a house-if you have unlimited resources, you're in much better shape than if you get two bricks, a hammer, and a bent nail.
As actors, we have the opportunity to work with many directors. Directors only work with themselves and other actors. They never know what it is like to work with another director. So that relationship that one has with a director is entirely always the king.
I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.
I would not like to direct, I would be one of those terrible directors who can't help line reading the actors their lines, because I would just want to be doing their parts.
I've worked opposite so many male actors whose egos have been so delicate that it was just so hard to do the work.
When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.
It's just unfair that talent of color aren't given the same opportunities as white and male actors, directors, producers, writers, et cetera.
Playwrights are the most gregarious writers - to get our work done, we need actors, directors, set designers.
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
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