A Quote by Max Bemis
I used to download a lot of music, and I understand it in this economy, but personally I buy my music. It feels good to be able to support a band you like. Plus, it'd be really hypocritical if I were still doing that, since I really hope people are buying and experiencing my music.
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I just people to get big bang for their buck. I just feel like I am really lucky that I still get the support that I do from my fans when it is so easy to download music for free. When fans go out and support and buy my music that really means a lot to me so I want to make sure that I give the very best I can when selling a product.
I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.
People love to hear music on their personal devices, but the issue really becomes, if you're able to download music, you should know this download and the quality of it is going to be of the highest, and that it has a value to it and on it.
I like being able to own things, to not have to depend on music to support myself. Music hadn't supported me since 2000. I mean, it really hasn't. I just do it because I love doing it.
I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
I think my music being referred to as "cinematic" has a lot to do with people just not being used to listening to instrumental music without watching a film. I'm still pretty convinced of that. You'll play Chopin in place of something average and like, "Wow, that'd be great in a film." People say it every time, swear to God. I don't think people have a good relationship with instruments and music anymore. But it's definitely visual; I started writing with this band because of the pictures. I can't really deny it either, you know?
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
Look: I download music illegally, if I really want it. But I always then buy the record - I support art.
If you listen to soul music, or R&B music, or Blues music, a lot of that came from church music and spiritual music, and music has always been a really really powerful tool that people have used to get them closer to God - whatever they define God as. And for me that's always been part of what drew me to it and keeps me coming back for more.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
I just want to make a lot of good music that entertains people and makes people think, and maybe inspires other people to make music. That's it, man. I don't really know about a legacy. Honestly, I wouldn't mind making some money. I wouldn't mind being able to buy a house and have a comfortable life. I'm not trying to chase superstardom and millions and millions of dollars. I would like to have enough return on what I do to allow me to continue doing it more comfortably.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Downloading a song for free is the easiest way to get all kinds of music. Everything else is tough and I am sure, even if people wanted to buy music, they won't be able to because they will not understand the way to buy music online. It is a very complicated process.
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