A Quote by Max Bemis

Cut the crap. Just don't try to be anything that you aren't, have ambition but when it comes to lyrics especially just be honest and write from the heart almost to an awkward degree, at least that's what works for me.
To be honest, after all the crap that happened with 'Summer Heights High,' I was like, 'I'm not going to write anything controversial or edgy ever again; I just can't handle the blame.'
I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel; but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
There are some things that I write that I know are personal in a way, or the gag is so obscure that it's just for me, and there's other things that could basically be for anybody or be anything, at least until the lyrics start to get written.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
I didn't even write the lyrics down. I got in the booth, I put down a little guitar riff and the idea I had was it was going to be really simple, I just want it to be all about the lyrics and I just literally sang the lyrics.
I sit a lot with my lyrics - I don't write just to write or put a line in just to have one. Everything has to mean something to me.
I was entirely wrapped up in the idea of becoming an actor. I learned how to write on the job, basically out of necessity. I always thought it'd be fun to write something, but it never was an ambition of mine, per se. I just thought, "Well, maybe I'll do it one day just for the hell of it and see if it works."
You know, Nirvana used to start rehearsals with the three of us just jamming. For, like, a half an hour, just noise and freeform crap - and usually it was crap. But sometimes things would come from it, and some songs on Nevermind came from that, and 'Heart Shaped Box' and stuff on 'In Utero' just happened that way.
I just like writing lyrics. I find a little satisfaction in performing live, making records. But primarily, I just try to write every day.
Serious beliefs are awkward, especially religious ones. It's not that there's anything wrong with them, it's just that people's real, heart-felt, deeply held beliefs are, well, 'not easy to handle or deal with, requiring great skill, ingenuity, or care' - in a word, awkward.
When I create lyrics, I just go off of energy. Sometimes I write down my lyrics on my phone and most times I remember the lyrics in my head.
There's lots of bands where somebody will write lyrics and somebody else will sing them. It works for a lot of people, but that feels weird to me. I don't mean this in a bad way at all but it just feels fake.. I guess in my heart of hearts, whether the person has a good voice or not I want [the songs] to come from them. I don't know why.
I’m not really afraid to be my awkward self, and I know there’s lots and lots of other people just like me out there that are awkward themselves. And I think they just appreciate that I’m not afraid to say the weird things that I say and tweet the obnoxious things that I tweet. But I’ve tried being other people and myself suits me the best. I think you just be honest. I think people respond to honesty.
You know how it is with writing. You just write what you want to write. There's no way to predict what is good or bad. You just do what you think is funny, and either it works or you're finished. It's impossible to predict anything.
I think me, Sean Bonnette and Laura Jane Grace, and a lot of the bands people feel that way about, we're just really honest in our lyrics. I think we got really lucky in that the right kind of people who would appreciate that heard us at the right time, because there are plenty of people that are honest in their lyrics.
I'd have to say that "Mr. Crowley" in my most memorable solo... I had spent hours trying to figure out a solo for the song ... Ozzy came in and said "it's crap - everything you're playing is crap" .. he told me to get in there and just play how I felt. He made me really nervous, so I just played anything. When I came back to listen to it, he said it was great.
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