A Quote by Max Bill
The orbit of human vision has widened and art has annexed fresh territories that were formerly denied to it.
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The eligibility for food stamps has widened and widened; welfare has been widened - unemployment insurance and disability insurance. These are all incentives not to work.
Those who were skillful in Anatomy among the Ancients, concluded from the outward and inward Make of an Human Body, that it was the Work of a Being transcendently Wise and Powerful. As the World grew more enlightened in this Art, their Discoveries gave them fresh Opportunities of admiring the Conduct of Providence in the Formation of an Human Body.
The German people were not denied, however, the possibility of improving their lot by hard work over the years. Industrial growth and progress were not denied them.
Human rights are universal and indivisible. Human freedom is also indivisible: if it is denied to anyone in the world, it is therefore denied, indirectly, to all people. This is why we cannot remain silent in the face of evil or violence; silence merely encourages them.
This industry [photography], by invading the territories of art, has become art's most mortal enemy.
...assume that art begins in unhappiness. True, the goal of art is to convey a vision of coherence and peace, but the effort to develop that vision starts in the more common experience of confusion and pain.
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
Most Jupiter-sized planets orbit the mother star in a highly elliptical orbit. This means they will often cross the orbit of any Earth-like planet and fling it into outer space, making life impossible. But our Jupiter travels in a near-perfect circular orbit, preventing a collision with any Earth-like planet, making life possible.
Art is a nation's most precious heritage. For it is in our works of art that we reveal to ourselves and to others the inner vision which guides us as a nation. And where there is no vision, the people perish.
Everything was so fresh and unique to us - it was a whole new world of music. Michael Jackson was so fresh, you know? We could approach it with such fresh ears, which wouldn't be possible if we had been listening to it when we were younger.
I like drawing from all kinds of territories in art.
But the knowledge and love of our Divine Redeemer, of which we were the object from the first moment of His Incarnation, exceed all that the human intellect can hope to grasp. For hardly was He conceived in the womb of the Mother of God, when He began to enjoy the Beatific Vision, and in that vision all the members of His Mystical Body were continually and unceasingly present to Him, and He embraced them with His redeeming love
The great art of the past became great because it started to go out of the perimeters that defined art and defined new territories.
I can't honestly account for the very personal response that I have to one story and not another, a sense of an orbit, the orbit of a world that draws me as my own life recedes.
There are no violent gangs fighting over aspirin territories. There are no violent gangs fighting over whisky territories or computer territories or anything else that's legal. There are only criminal gangs fighting over territories covering drugs, gambling, prostitution, and other victimless crimes. Making a non-violent activity a crime creates a black market, which attracts criminals and gangs, which turns what was once a relatively harmless activity affecting a small group of people into a widespread epidemic of drug use and gang warfare.
It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.
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