A Quote by Max Brooks
Zombies don't run. They don't dance. They don't say, "More brains." There is no Thriller Night. Those are stereotypes that are perpetrated by Hollywood, which I think is very irresponsible because it can get you killed.
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I think if you give in and accept society's stereotypes, then you start thinking, 'I cannot dance till late at night because I'm 70.'
As an American I must say I haven't been very encouraged by the way in which the people who run the government in the United States have been listening to those contrary voices. And so long as the power to run the world lies in the hands of people who are quite happy to see it get warmer, or fuel be used more, then would those people who oppose it are crying in the wilderness - that's the real problem.
I think Hollywood sees so many parts of America through a very narrow prism. The South is no exception. And those stereotypes, while sometimes true, are exaggerated for me to the point of boredom.
I think if I were a college professor, no one would say I was uncomfortable about being shy because that might be expected. But I think because of people's stereotypes, they think of a football player as someone who is very outgoing and I'm not.
Zombies aren't about zombies. It's not about the dead bodies. I think it's a very hopeful subgenre. It says that regardless of what happens, humanity will get through it. We'll figure out a way to survive.
I think every filmmaker in Europe would be lying if they didn't say one day they just wanted to make a movie here in Hollywood or at least try it. It's very different from European filmmaking, because here it's like a real industry. It's very much about money and making money, which I think is fine, because it's very expensive to make movies.
I think I'm drawn to more villain-type characters, because it's so cool to get to say all the things you want to say. In Hollywood, you get to this position where you have to bite your tongue so much. You take all your experiences of not being able to say what you really want to say, and channel that through your character.
This is the part in the movie where that guy says, "Zombies? What zombies?" just before they eat his brains. I don't want to be that guy.
The trouble with integers is that we have examined only the very small ones. Maybe all the exciting stuff happens at really big numbers, ones we can't even begin to think about in any very definite way. Our brains have evolved to get us out of the rain, find where the berries are, and keep us from getting killed. Our brains did not evolve to help us grasp really large numbers or to look at things in a hundred thousand dimensions.
We thought by setting the film ["Selling Isobel"] in the cloak of... let's call it an indie-Hollywood thriller, it would appeal to a wider range of young women who would see this cautionary tale and say, "Hang on, I've got to think twice about what I get myself into."
I like the labels because I think they tell my story in a very concise way: gay, Latino. I think the responsibility that comes with accepting labels is that now I get a chance to break stereotypes. It gives me the opportunity to tell the unique stories of what those labels mean.
I think the world's big enough for all kinds of zombies. You can have yours and I can have mine. I think by going with slow zombies I maybe have been asserting my own kind of zombie snobbery, but I don't begrudge the youngsters their tackling, running, jumping zombies.
My mother used to say when we were children, 'When a boy gets a stick in his hand, his brains run out the other end of it.' Power is a stick in the hand, and I have never heard of anybody who wielded a very big stick of power whose brains did not run out the other end. As a nation, our brains are running out the other end of our power right now.
If minds are wholly dependent on brains and brains on biochemistry, and biochemistry (in the long run) on the meaningless flux of the atoms, I cannot understand how the thought of those minds should have any more significance than the sound of the wind in the trees.
I see stereotypes as fundamental and inescapable and not as something that is... The kind of common view is "Oh, we shouldn't think in stereotypes," and I think the reality is we can't help but think in stereotypes.
I get on the airplane and there's a screen in front of everything. You get into a taxicab in New York, there's a screen blinking at you. I think it's going to have a tremendous effect on our brains, because those bright, saturated colors and those strong lines, they do things to your brain.
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