A Quote by Max Brooks

Zombies are apocalyptic. I think that's why people love them because we're living in, not apocalyptic times, but I think we're living in fear of the apocalyptic times. — © Max Brooks
Zombies are apocalyptic. I think that's why people love them because we're living in, not apocalyptic times, but I think we're living in fear of the apocalyptic times.
I think there's always been a traditionally apocalyptic side to British science fiction, from H.G. Wells onwards. I mean, most of Wells' stories are potentially apocalyptic in some sense or another.
I quite like post-apocalyptic films, things like 'Mad Max' for instance, because they are so full on and there is something quite cleansing about the post-apocalyptic because you can see where we all think we're heading.
There is the apocalyptic influence in the Trumpean presidency: The world is destroyed in order to be purified and renewed in the ideal way that is projected by a Steve Bannon. And there is a sense of that when Trump says we'll make America great again, because he says it's been destroyed, he will remake it. So there is an apocalyptic suggestion, but I don't think it's at the very heart of his presidency.
Apocalyptic expectations ran riot in 1917, and had a major influence on Allied policies towards Palestine and the Jewish people. The propaganda of all nations was amazingly religious and apocalyptic - ghosts and visions, crucifixions and sacrifice, crusaders and holy warriors.
In entertainment, zombies are so played out. I have a gut sense that people are getting tired of apocalyptic scenarios.
I'm also not an avid watcher of the show ['Walking Dead'] for no good reason. I think it's obviously a great show. I think it's a good comparison [to "Zoo"], because it is this apocalyptic world we're living in Season 2 of "Zoo."
A lot of the creature comforts and the things we take for granted, are not sustainable, especially at current population levels. And so, it's not just simply a matter of changing over to solar. It's a matter of changing our philosophies. Of learning to live, more or less, mid- or post-apocalyptic, whatever apocalyptic means.
Being homeless is like living in a post-apocalyptic world. You're on the outskirts of society.
Great sex is apocalyptic. There is no such thing as great sex unless you have an apocalyptic moment.
Americans are apocalyptic by nature. The reason why is that we've always had so much, so we live in deadly fear that people are going to take it away from us.
Epic science fiction game, that's always been on my mind. Post-apocalyptic, 'Fallout,' was our first choice. Sci-fi was our second at the time, when we got the 'Fallout' license. We were going to do our own post-apocalyptic universe if we didn't get 'Fallout.'
Dude. Post-apocalyptic world. Who does job applications anymore?” “I do.” I squint at it, then him. “What are you paying me?” I angle. “Dude. Post-apocalyptic world. Who does money anymore.” I snicker. First sign of any sense of humor he’s shown. Then I remember where I am and why. I wad it up and throw it at him. It bounces off his chest.
Zombies are apocalyptic in nature. They belong to a class of monster that doesn't just hunt humans, but seeks to obliterate that entire human race.
Before progressives were apocalyptic about climate change they were apocalyptic about nuclear energy. Then, after the Cold War ended, and the threat of nuclear war declined radically, they found a new vehicle for their secular apocalypse in the form of climate change.
'Apocalyptic Love,' that is pretty from the hip in the sense that, one day, Slash and I were talking - I think it was Slash and I - about the end of the world and the Mayan calendar and all that crazy stuff.
A lot of times when I ask people what their apocalyptic fantasy life is like, they'll immediately say something like, "Oh, what I think is going to kill us is climate change or World War IV," and that's not what I'm interested in at all. The point is not about winning a bet about what's going to happen. The point is about the human action of examining the possibility, the kind of obsessive imagining about it.
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