A Quote by Max Brooks

I don't mind my work being a record of the time it was written in. — © Max Brooks
I don't mind my work being a record of the time it was written in.
Your life is like a book. The title page is your name, the preface your introductions to the world. The pages are a daily record of your efforts, trials, pleasures, discouragements, and achievements. Day by day your thoughts and acts are being inscribed in your book of life. Hour by hour, the record is being made that must stand for all time. Once the word 'finish' must be written, let it then be said of your book that it is a record of noble purpose, generous service, and work well-done.
I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.
You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine', which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
Being a musician, especially at the major label where you work for so long, it becomes a cycle. Write a record, make a record, tour. It's just this cycle, and I don't think there's any life built into it with time to assimilate what's going on in front of you and what's going on in your head.
I always tell the story of 'Irreplaceable.' I initially wrote 'Irreplaceable' with myself in mind, with plans of it being my record. I love that record; however, what I realised about that record was that though given the circumstances of that situation - men and women are not that different - when you sing about it, it changes things, you know?
I feel like the live record thing is something that I've been getting used to as the years go by and with this being my second one, I'm continuing to learn what works and what doesn't work. A live record is an example of that authenticity and that realness that you find in imperfection and you can hear that in this record.
The touring band is DIIV, and the songs are always written with them in mind. But the new record is going to be more "me."
I don't mind bad stories when it's true, but we have an administration where the Democrats are making it very difficult. I think we're setting a record or close to a record in the time of approval of a cabinet. The numbers are crazy when I'm looking.
Do you think that civilization advances because of things written in books? Not a bit of what is written in books ever got there until after the thought of it happened in someone's mind. Someone first had to collect it from space, or recollect it from its electrical pattern to which he (or she) had been attuned. The book is but a record of what has already happened.
I hope I'm building a record of being a good team player and not just standing for my principles but being willing to work for them. I think when you do that and you work really hard, people take notice.
The 1996 welfare reform law, for the first time, connected welfare benefits with an expectation that recipients would work or participate in training. That work requirement led to record increases in employment and earnings and a record decrease in poverty and welfare dependence after it was enacted.
My second album was written while I was on the road promoting the first record. I tried to take my personal experiences and elevate them to universal experiences, so that I wasn't writing songs about living on a tour bus or being on a TV set for the first time.
Things like 'Lucky Man' were never written to even be a record, let alone a hit record.
In contrast to a dream a reverie cannot be recounted. To be communicated, it must be written, written with emotion and taste, being relived all the more strongly because it is being written down. Here, we are touching the realm of written love. It is going out of fashion, but the benefits remain. There are still souls for whom love is the contact of two poetries, the fusion of two reveries.
This site uses cookies to ensure you get the best experience. More info...
Got it!