A Quote by Max Cannon

As soon as I can afford a studio space, I'll paint again. — © Max Cannon
As soon as I can afford a studio space, I'll paint again.
I had some pretty lucky and good living situations; thankfully I never got forced out of an apartment. A lot of my friends got evicted or pushed out and couldn't afford a new place. For me, I wanted more space to set up a home studio, but there was no way to afford that.
We lived in my father's studio, so there were the brushes and the pencils and the paint. So it would - it was very natural for me to want to paint, I think, and it was never a question.
The way I paint, the scale of the information in the images which I want to paint demand space.
I was never one to paint space, I paint air.
I almost feel like its an obligation to not further the status quo if you become somebody with influence and exposure. I dont want to paint the same painting again. I dont want to make the same sculpture again. Why shouldnt a big movie studio be able to make those small independent kinds of pictures? Why not change it up?
I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.
What greatly attracted me - and it was the main line of advance of Cubism - was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still lifes, because in nature there is a tactile, I would almost say a manual space... that was the earliest Cubist painting - the quest for space.
I'm gonna do clothes, but stuff that kids can afford. I want to get into the high fashion world very soon, but the stuff I want to start out with is the small stuff, for the kids, that anybody can afford the Nikes, or the Jordans, Or let's say they can't afford the big brand name clothes, so I would make a lower end line but still high-quality.
Growing up in Chadds Ford, Pa., I shuttled between studio space in my parents' house and my grandfather's studio just up the hill. It was a solitary childhood, but I loved it.
Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.
Be Bold. It's just canvas, just paint. If it doesn't work for you, paint over it and start again. Don't be afraid that you are wasting supplies. Every failure teaches something, if only what not to do.
I think people can just make things now. It's kind of what happened with the music industry. Before, a band couldn't afford to go into a nice studio, or if they were going to go into a nice studio, they had to record twenty-five songs in two days. That's not a healthy workflow for anyone.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
Adaption of the human body in space is not yet mastered. As soon as you hit space, you feel your body is going through a period of mutation. There's no blood in your head; you have a hard time swallowing. We're not born to naturally be in space.
Over in Iraq after you vote they paint your finger purple so you can't vote again. It's a flawless system. It works perfectly unless, of course, someone has paint remover.
I see a flower. It gives me a sensation of the beautiful. I wish to paint it. And as soon as I wish to paint it I see the whole subject - flower - changed. It is now an art problem to resolve.
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