A Quote by Max Ernst

The artist is a spectator, indifferent or impassioned, at the birth of his work, and observes the phases of its development. — © Max Ernst
The artist is a spectator, indifferent or impassioned, at the birth of his work, and observes the phases of its development.
A champion plays the game; a spectator observes, criticizes and never really gets to live. A champion knows what he or she wants and goes after it with carefully calculated goals and no-holds-barred action. A spectator feels that his or her life is not their own. They let others dictate their destiny. They become victims of life instead of masters of it.
The work of art assumes the existence of the perfect spectator, and is indifferent to the fact that no such person exists.
... yet there is a difference between scientific and artistic observation. The scientist observes to turn away and generalize; the artist observes to seize and use reality in all its individuality and peculiarity.
If 'Spectator Business' works, we will continue this brand extension strategy and look at everything from 'Spectator Arts' to 'Spectator Style and Travel' or 'Spectator Connoisseur.'
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
Training is one of the most neglected phases of athletics. Too much time is given to the development of skill and too little to the development of the individual for participation.
The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
I believe that the artist doesn't know what he does. I attach even more importance to the spectator than to the artist.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
When the artist observes nature... it is as if nature communicated, through the sensitivity of the artist at that moment, one of its secrets.
The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.
It is with art as with love: How can a man of the world,with all his distractions, keep the inwardness which an artist must possess if he hopes to attain perfection? That inwardness which the spectator must share if he is to understand the work as the artist wishes and hopes... Believe me, talents are like virtues; either you must love them for their own sake or renounce them altogether. And they are only recognized and rewarded when we have practised them in secret, like a dangerous mystery."
Indifferent souls never part. Impassioned souls part, and return to one another, because they can do no better.
An artist observes, selects, guesses, and synthesizes.
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