A Quote by Max Euwe

He can be regarded as the great master of simplification. The art of resolving the tension at the critical moment and in the most effacious way so as to clarify the position as desired is Capablanca's own.
Meditation is meeting eternity in the present moment. It is resolving every problem as it comes. It is resolving every tension as it creeps in. It is facing the challenges of life in a non-fearful way.
Crying, that is, sobbing is the earliest and deepest way to release tension. Infants can cry almost from the moment of birth, and do so easily following every stress that produces a state of tension in the body... Human beings are the only creatures who can react in this way to stress and tension. Most probably, they are the only ones who need this form of release.
Be patient with the negative people of the world. Take a moment to think how they are helping you clarify your own thinking and firming your own resolve. Then, headslap them out of your way.
Many an expert says that there is a certain affinity between (Capablanca's style) and that of the world master, Lasker. There may be some truth in it. Lasker's style is clear water, but with a drop of poison which is clouding it. Capablanca's style is perhaps still clearer, but it lacks that drop of poison.
Tempered intuition is more than beneficial. It's usually critical to resolving gray area problems. In other words, in the end, these problems are resolved by someone in a position of authority saying this is what I think we should do and will do to address this problem.
The greatest compliment one can pay a master is to compare him with Capablanca.
I think the whole tension about romanticism is the way it builds and builds, and the moment it's consummated, the tension's over.
Once you master how your own consciousness operates, anything can be desired and achieved.
Capablanca possessed an amazing ability to quickly see into a position and intuitively grasp its main features. His style, one of the purest, most crystal-clear in the entire history of chess, astonishes one with his logic.
One learns the art of dying by learning the art of living: how to become master of the present moment.
The way to do a great deal is to keep on doing a little. The way to do nothing at all is to be continually resolving that you will do everything.
To know how to grow old is the master work of wisdom, and one of the most difficult chapters in the great art of living.
The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.
When you sit down to play a game you should think only about the position, but not about the opponent. Whether chess is regarded as a science, or an art, or a sport, all the same psychology bears no relation to it and only stands in the way of real chess.
There is movement and movement. There are movements of small tension and movements of great tension and there is also a movement which our eyes cannot catch although it can be felt. In art this state is called dynamic movement.
No one is able to produce a great work of art without experience, nor achieve a worldly position immediately, nor be a great lover at the first attempt; and in the interval between initial failure and subsequent success, in the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation. We suffer because we cannot spontaneously master the ingredients of fulfillment.
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