A Quote by Max Frisch
When we travel, we are like a film at the moment of exposure; it is memory that will develop it.
Related Quotes
He didn’t really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
The film producers have to understand that melody is the base of Indian music - they have to come back to that. Else, we'll have short lived chart toppers which dim on public memory that moment the film if off screens.
Some people like to travel by train because it combines the slowness of a car with the cramped public exposure of an airplane.
The memory of that scene for me is like a frame of film forever frozen at that moment: the red carpet, the green lawn, the white house, the leaden sky. The new president and his first lady.
I'VE NOTICED, FROM MY EXPERIENCE, IF THE EXTERNAL, EMOTIONAL CONSTRUCTION OF IMAGES IN A FILM ARE BASED ON THE FILMMAKER'S OWN MEMORY, ON THE KINSHIP OF ONE'S PERSONAL EXPERIENCE WITH THE FABRIC OF THE FILM, THEN THE FILM WILL HAVE THE POWER TO AFFECT THOSE WHO SEE IT.
Film is my hobby, so I will work well through the night to develop films, whatever film I'm doing or dream projects I have.
One certainty when you travel is the moment you arrive in a foreign country, the American dollar will fall like a stone.
Develop your visual memory. Draw everything you have drawn from the model from memory as well.
Has it ever struck you ... that life is all memory, except for the one present moment that goes by you so quickly you hardly catch it going? It’s really all memory ... except for each passing moment.
The most vital things in the look of a landscape endure only for a moment. Work should be done from memory; memory of that vital moment.
Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it.
Imagine for a moment your own version of a perfect future. See yourself in that future with everything you could wish for at this very moment fulfilled. Now take the memory of that future and bring it here into the present. Let it influence how you will behave from this moment on.
Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
In every life there is a perfect moment, like a flash of sun. We can shape our days by that, if we will - before by faith, and afterward by memory.
Travel is the excitement of life! Everything is an adventure, and if you look at it like that, even at the worst moment you can say: 'We will laugh tomorrow about this.' And you do.
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