A Quote by Max Gallo

Political scientists have often described Gaullism as a sort of Bonapartism. I myself have occasionally compared Sarkozy to Napoleon Bonaparte. — © Max Gallo
Political scientists have often described Gaullism as a sort of Bonapartism. I myself have occasionally compared Sarkozy to Napoleon Bonaparte.
Suppose someone sits down where you are sitting right now and announces to me that he is Napoleon Bonaparte. The last thing I want to do with him is to get involved in a technical discussion of cavalry tactics at the Battle of Austerlitz. If I do that, I'm getting tacitly drawn into the game that he is Napoleon Bonaparte.
William R. Polk discusses the Spanish guerrilla war against Napoleon [ Bonaparte] and other cases where the conflict turns into a political war, and the invader, who usually has overwhelming power, loses because they can't fight the political war.
In early 1798, the Directory, the oligarchy that was ruling revolutionary France, ordered its top general, Napoleon Bonaparte, to plan the invasion of England. Instead, Napoleon organized and carried out the invasion of Egypt, which became the first modern incursion by the West into the Middle East.
I once read that there are more biographical works about Napoleon Bonaparte than any other man in history.
The monster has escaped Elba!" "The tyrant has landed at Cannes!" "Bonaparte meets the troops." "Napoleon approaches Paris." "His Imperial Majesty has entered the capital.
Global warming is a false myth and every serious person and scientist says so. It is not fair to refer to the U.N. panel. IPCC is not a scientific institution: it’s a political body, a sort of non-government organization of green flavor. It’s neither a forum of neutral scientists nor a balanced group of scientists. These people are politicized scientists who arrive there with a one-sided opinion and a one-sided assignment.
Europeans are forever the offspring of Machiavelli, trapped in a historical rollercoaster that can bring us a monarchy-toppling French Revolution and then a few years later Napoleon Bonaparte as emperor.
Well, it's true that you often kind of forget to see the person you're most intimate with, but occasionally I'll come to and sort of think, 'Oh my God! You're really, really good-looking! I'm embarrassed now! It's nice to occasionally have that flash.
When I was researching my book 'The 33 Strategies of War', I studied Napoleon extensively and I found myself wanting to ask Napoleon questions about things he did, and if was I interpreting his actions correctly.
This soldier, I realized, must have had friends at home and in his regiment; yet he lay there deserted by all except his dog. I looked on, unmoved, at battles which decided the future of nations. Tearless, I had given orders which brought death to thousands. Yet here I was stirred, profoundly stirred, stirred to tears. And by what? By the grief of one dog. Napoleon Bonaparte, on finding a dog beside the body of his dead master, licking his face and howling, on a moonlit field after a battle. Napoleon was haunted by this scene until his own death.
It had become usual to give Napoleon the Credit for every Successful achievement and every stroke of good fortune. You would often hear one hen remark to another, "Under the guidance of our leader, Comrade Napoleon, I have laid five eggs in six days" or two cows, enjoying a drink at the pool, would exclaim, "thanks to the leadership of Comrade Napoleon, how excellent this water tastes!".
[Wise men] have tried to understand our state of being, by grasping at its stars, or its arts, or its economics. But, if there is an underlying oneness of all things, it does not matter where we begin, whether with stars, or laws of supply and demand, or frogs, or Napoleon Bonaparte. One measures a circle, beginning anywhere.
The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
It was 1953, and I was still at school. I'd borrowed a silent French film from the library for my 9.5mm projector. It was by Jean Epstein, and it was awful. So I rang the library and asked if they had anything else. They said they had 'Napoleon Bonaparte and the French Revolution.'
I think that compared to other politicians who have been put in jail in the past, compared to the human-rights activists in history who have had to face political prosecution, the activists in Hong Kong nowadays are already quite lucky compared to that.
Napoleon - the people who were becoming Napoleon's generals realized that for him, it was not about spreading freedom and revolution; it was about creating a new empire with Napoleon the dictator or the emperor.
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