A Quote by Max Greenfield

No offense to the other people that we work with, but we spend 14-hour days with each other. You're dying for some sort of new rhythm to play with and another person to have fun with. It's like, "Oh, I can't wait to hang out with Zoe Lister Jones today and not deal with that Jake Johnson."
I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another. It's not that they all get along, or that there aren't bad people or people we make fun of. But at the core, there's a kind of sweetness.
I used to like people more, but now I have children and that changes your life in a lot of ways. Like you spend time with people you never would have chosen to spend time with, not in a million years. I spend whole days with people, I'm like, "I never would have hung out with you. I didn't choose you. Our children chose each other based on no criteria by the way. They're the same size. They don't care who they make me hang out with."
Pre-season isn't just about conditioning but also getting used to each other as a team and a group of men. You spend more time with these people than you do your own family. Pre-season is the time we get used to each other and work out how people work. It can be a lot of fun. Hard but fun.
We've got the children so we have to deal with each other because we have to deal with children's problems, you know, and our own problems. But some days it's fine, and then some days we just are at each other's throat.
I've got a theory with each character I play. Regardless of the actions that they do, I, as Jake, have to like these people. And I have to say, 'I wouldn't mind hanging out with this guy for an hour and a half.'
Our days are a kaleidoscope. Every instant a change takes place in the contents. New harmonies, new contrasts, new combinations of every sort. Nothing ever happens twice alike. The most familiar people stand each moment in some new relation to each other, to their work, to surrounding objects. The most tranquil house, with the most serene inhabitants, living upon the utmost regularity of system, is yet exemplifying infinite diversities.
I feel like a new person. I learned how to deal with people when I wasn't a football player. I always wondered how they'd react to me, if they'd respect me. I found out I have other attributes that I like-and that others like. The injury made me a lot more mature. I have a better grasp of reality in life. I'm more patient and giving. I'm a lot closer to my family and more team oriented. I'm so much stronger emotionally. I have proven to myself that I can overcome the most dreaded injury in football. It's almost like dying and realizing life has been given back to me. I can't wait to play.
It doesn't really exist, this Frat Pack. We run into each other on occasions and we all like each other's films, I guess, but there isn't some big funny restaurant or bar where we all hang out. At least, if there is, they haven't invited me.
But in a crunch, when all our asses are in the sling, it looks like it is easier to deal with the samenesses. When we deal with sameness only, we develop weapons that we use against each other when the differences become apparent. And we wipe each other out - Black men and women can wipe each other out - far more effectively than outsiders do.
These two guys [Donald Trump and Chris Christie] kinds find each other. They love each other. They were playing let`s spend the night together when I turned the TV in the hotel today. I was like oh, my goodness.But it`s like the worst buddy movie. They degrade women. They steal candy from orphans. They mock the disabled. They pick on teachers. It`s frightening to watch.
On screen, we have to pretend we hate each other, or dislike each other, or don't want to talk or listen to each other, but off camera, it's just one big happy family. We hang out off the show and we play cards together and go have dinner together.
I drink every night. But I don't hang out and party. Not that I'm selling out Madison Square Garden, but in the old days after a show you could hang out with a few people. But now you're hanging around with 20 people, all of whom don't know each other, and they're all, "Leave my outgoing greeting on my voice mail, man, come on!"
Superstore' is the most amazing work environment ever. Every single person on set is someone you'd call a friend. We have the best crew, as well, and we all hang out even when we're not working. We push each other to be better, and we bring it out of one another. I have learned and grown so much.
I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.
Johnson is wise, Boswell foolish; Johnson warns and abstains, Boswell plunges; Johnson is rather a great man writing than a greatwriter, Boswell is a great writer and an ordinary man; and they are two of a kind, abysmal melancholics and compulsive socializers, afraid of solitude and afraid of death and dissolution, victims of themselves, meant for each other, needing each other, needing evidence and arguments (Boswell is a lawyer, Johnson magisterially dictates to him some of his briefs), making beautiful models of rational discourse out of the useful substance of all they know.
I didn't know how to check other people's feeds. When I started Instagram, it was just me posting! But then at some point, like eight months ago, I realized I could see what other people were sharing. It was so exciting and so fun, but it was like I'd already gotten into the rhythm of sharing and not worrying about what it was like compared to other accounts. I think that was kind of protective, in a way.
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