A Quote by Max Greenfield
I always feel like people in general are much weirder and insane than anybody really wants to admit. How dare somebody watch anything and go, 'That's not real!' Go on the subway. For five minutes.
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I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.
I feel very comfortable with my trajectory because I do have a life; I can go on the subway, you know? And I've been able to do that my entire career, and I have friends who are huge movie stars and can't go on the subway, and I feel like that sucks.
Part of why I think I have so much fun working in the mockumentary genre is that you can cut to pretty much anything at any time. People are now so conditioned to watch documentaries - they know how they operate, and that you can introduce a new character by cutting to them, and now they're in it. Similarly, being able to treat a sidebar idea that has nothing to do with your main story really seriously, the way the rest of it is being treated - all the pomp and circumstances lend themselves, I feel, to making comedy feel really earned and funnier and weirder.
I feel like boys listen to my music. They just don't like to admit it, but I go hard. But yeah, I feel like I go really hard, so why not listen to me? Anybody could relate to my music, honestly.
I'm not trying to counsel any of you to do anything really special except dare to think. And to dare to go with the truth. And to dare to really love completely.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
I should say if anybody wants to tape my conversations, go right ahead, feel free to do it. I appreciate anybody who wants to tape me openly and notoriously, and those who feel like they want to sneakily, and wear taping devices, I would remind them that it kind of smells like Nixon and Watergate.
I think the success of a film is very important to an actor. It depends on how many people go to watch your movies; the more the merrier. Nobody wants to do a film for five people. You work so hard that millions of people watch the movie; this is directly related to box office success.
I like to go to the subway and hear what people are thinking and feeling and what their concerns are. You learn so much that way. You really do.
My husband Charlie says I get ready five minutes before I go out the door. I am one of those people who can't do anything unless it's imminent - that's how I roll.
I never expect anything. I am always amazed at why anybody goes to any movie or why anybody doesn't go to any movie. Any movie you make, you make it because you're hoping somebody wants to see it, but you never know.
I kind of watch a guy like Aleister Black go around, and he does whatever he wants. He Black Masses whoever he wants. He beats up security guards; he threatens general managers. Tommaso Ciampa does whatever he wants.
My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.
An hour show panics me a lot less than five minutes at the O2. How do you put yourself across and make sure people have a good time in five minutes?
I find it really frustrating when people go, "I want to be famous and glamorous like you." It's hard for me not to have a bad thought when someone says that to me, since if there's anything this business is not, is glamorous. It's only glamorous for maybe five minutes every now and then.
Most people tire of a lecture in ten minutes; clever people can do it in five. Sensible people never go to lectures at all. But the people who do go to a lecture and who get tired of it, presently hold it as a sort of grudge against the lecturer personally. In reality his sufferings are worse than theirs.
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