A Quote by Max Greenfield
I think everything is its own beast. I think every project has its own unique insanity, and I think that's what's really fun about it.
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Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
I think it's awesome when a woman is in control of everything she's doing, especially in an industry like this where people think that doesn't happen often, but it really does - well, from my knowledge and how I manage my own project.
Thinking about making a love story without music was really frightening, Sciamma admitted. Because every love story we know, we think about 'Titanic' we think about the music, we think about 'Gone with the Wind' we think about the music, we think about 'E.T.' we think about the music, and every love story has its own tune, 'That's our song.'
People can live without a giant state. We've proven that already. But a giant state cannot live without dependent people. We feed the beast that puts us in shackles of our own creation. They are dependent on us. We think of revolutions as gunfire in the streets. But a soft and creeping tyranny can be beaten with a soft and creeping revolution. Think about it. Think about all the ways the totalitarian state is dependent on your personal actions. Think about what you do every day to help feed this beast and then stop doing that!
I think the healthy way to live is to make friends with the beast inside oneself, and that means not the beast but the shadow. The dark side of one's nature. Have fun with it and you know, is to accept everything about ourselves.
I was able to get along with everybody. I really enjoyed all of those guys. They were unique in their own ways, and I think that's what made the sport fun. We had a great time laughing and having fun.
When I think about 'Beast Mode,' that's what I think about. I don't think about just a hard project; they just created some art together.
I think your text [script] is everything; it's what informs you; it's what gives you the given circumstances. Then you take that and you add your own creativity and your own spin on things and you make it personal. That's what makes that character and that text unique to you, when you personalize it. I think that's where your job as an actor comes in.
I think we all have our own personality, unique and distinctive, and at the same time, I think that our own unique and distinctive personality blends with the wind, with the footsteps in the street, with the noises around the corner, and with the silence of memory, which is the great producer of ghosts.
I think everything everything about my lifestyle is fairly alternative. I gather my own spring water from mountains every month. I go to a farm to get my food. I make everything from my own toothpaste to my own body lotions and face oils. I could go on for hours. I make my own medicines; I don’t get those from doctors. I make my own cheese and forage wild foods and identify wild plants. It’s an entire lifestyle. It’s appealing to my soul.
I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
I think I think we are all so unique in our own way, and I think we are all just these tiny, little cogs in this incredibly massive, wonderful universe.
I'm really passionate about the song Sky Spills Over. It was fun creating it in the studio and I've been overwhelmed at the response it gets when we perform it live every night. My son Ryan is a really talented filmmaker so I always enjoy working with him on a project. But what made this project even more special was that 3 of my own grandkids were in the video. This video was a lot of fun to make. I hope people enjoy it!
It sounds really corny but every film that you do is its own journey, it's its own experience, it's its own thing. Often you think it's going to be one way and then it goes another way - you think you can chart a character and then other things happen. That's the amazing thing about our jobs, it's constantly changing and it's extremely dynamic and you therefore have to be dynamic as well.
I never think of this business as fun. I don't know why. I think I've actually said something about it being fun, but I don't think of it that way. It's not fun, doing it. It's joyful, it's passionate, it's rewarding, it's a pursuit of truth, but I don't think of it as fun. It's not a game.
I think every artist that you like, or even artists that have defined their own times, they're definitely looking to the past as a starting place. It's just about how you infuse your own personality, your own message, and your own ideas into it. The record is supposed to be really sensual and sexy.
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