A Quote by Max Greenfield
Having worked with Sarah Paulson on 'American Horror Story: Hotel' and seeing the lengths she goes to when shooting a scene, you go, 'Oh, so that's what this is going to be like.'
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I was shooting Beyond Redemption, I started shooting American Horror Story, so I was going back and forth between Northern California and LA. That was not bad at all - that flight is like getting on the subway, it's nothing. And then during rehearsals.
You can't really fake chemistry: either you have it or you don't, and you can't have a relationship on screen if you don't have one off screen. I love Sarah Paulson. I absolutely adore her. My wife has given me full permission to love Sarah Paulson, and I look forward to doing that for the rest of my life.
Sarah Paulson doesn't lie. Like, in life. But she doesn't lie onscreen, and you can't take your eyes off somebody who always tells the truth. She's the most honest person I've ever met.
OK, so, my favourite actress in the world is Sarah Paulson. I think she is so talented and I admire her so much, I have always said from the beginning she is someone who just really has perfected the craft. She could play anybody and be believable.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
Sarah Paulson is mind-blowing. I mean, she always is. She's always fantastic.
'Pretty Deadly' is the story of these immortal and mortal characters, and the mortals' story follows Sarah's family, a black family, through the ages. I never made the choice of, 'Oh, this is gonna be the story of an African American family!'
Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography.
It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it.
Mr. Murphy is really, really amazing. I have admired him from the time that I saw the first season of 'American Horror Story.' I watched 'Glee,' but once I saw 'American Horror Story,' I was like: 'I'm working for him.'
I like cable stuff; I really do - 'American Horror Story,' 'American Crime Story.'
I started out with almost entirely black fans except for a little handful of people in the horror writers' community, and those people really liked horror, you know. They will go to any lengths and read whomever they can find because they like that feeling of being scared.
I did not go to the Supreme Court on behalf of a class of women. I wasn't pursuing any legal remedy to my unwanted pregnancy. I did not go to the federal courts for relief. I went to Sarah Weddington asking her if she knew how I could obtain an abortion. She and Linda Coffey said they didn't know where to get one. They lied to me just like I lied to them. Sarah already had an abortion. She knew where to get one. Sarah and Linda were just looking for somebody, anybody, to further their own agenda. I was their willing dupe. For this, I will forever be ashamed.
Kamala Harris is fumbling and she's like, 'Oh, I'm going to go after Twitter because Elizabeth Warren sucked all the oxygen out of the room.' She's standing up and saying, 'I'm going to go after Facebook, I'm going to break them up, I'm going to go after all of these big technology companies.'
I'm just kind of in love with Kathy Bates. And Sarah Paulson.
Horror used to be one thing, and I think that's starting to broaden - there can have subgenres, and other things can be going on in a horror story. In comics, you'll never get the 'Boo' effect in a comic; you can go for mood, atmosphere and personal tragedy to build the horror elements and sense of dread.
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