A Quote by Max Hastings

When I am fishing, I think quite a lot about the fish, but I also think about the book I'm writing. — © Max Hastings
When I am fishing, I think quite a lot about the fish, but I also think about the book I'm writing.
Personally I am very fond of strawberries and cream, but I have found that for some strange reason, fish prefer worms. So when I went fishing, I didn’t think about what I wanted. I thought about what they wanted. I didn't bait the hook with strawberries and cream. Rather, I dangled a worm or grasshopper in front of the fish and said: "Wouldn't you like to have that?" Why not use the same common sense when fishing for people?
What do I think about when I'm fishing? I don't really know. Mate, I just think about how I'm going to catch my next fish.
Well, I'd like to think I am, and I'd also like to think that we're all having a lot more fun getting older than we pretend. It was interesting to me when I first started working on this book that I'd mentioned that I was writing a memoir about aging and everybody would moan and groan and carry on.
Fishing's relaxing, man. Most relaxing thing in my life. It's therapy for me. I don't think about business... sports. All I think about is catching the next fish.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
I think the reason why we got into such idiocy in investment management is best illustrated by a story that I tell about the guy who sold fishing tackle. I asked him, "My God, they're purple and green. Do fish really take these lures?" And he said, "Mister, I don't sell to fish." Investment managers are in the position of that fishing tackle salesman.
I go to Alaska and fish salmon. I do some halibut fishing, lake fishing, trout fishing, fly fishing. I look quite good in waders. I love my waders. I don't think there is anything sexier than just standing in waders with a fly rod. I just love it.
I've got 21 years of experience now fishing professionally, and over that time I've learned a lot about how the bass react. A lot of people think there's a lot of luck in fishing, and there really isn't.
[Writing is like fishing]. You don't bow because you made the fish. That's the difference. If you know that, then you bow for your labor.You crafted, you worked, you put in those hours so that you could catch that fish. But you didn't make that fish. You just caught the fish. That will help you stay humble and bow for the right reason and be very lucid about the work you do.
I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
I think if somebody is so set in their ways about what they feel about something - and you get this a lot in academia, of course, and also different sorts of journalism too - you're going to sweep under the carpet the facts that don't suit your thesis. And I think that happens quite a lot in the courtroom, for instance.
The biggest danger we face is overfishing. We literally could fish out our oceans, some scientists believe, in the next 40, 50, 60 years. We are fishing out the top of the food chain, and it's pretty crucial because about 200 million people depend on fish and fishing for their livelihood, and about a billion people, mostly in poorer countries, depend on fish for their protein. So this is a big problem. Good news is, it's fixable.
It is not quite true to say that I am not an advocate of writing in African languages. What I think is, one has to think about what is practicable.
I write about five thousand words a day, when working on a book, about three thousand a day if I'm writing a short story. I take long periods off between projects, when I read a lot, garden, and think about the next book or stories.
I never start out with any kind of connecting theme or plan. Everything just falls the way it falls. I don't ever think about what kind of fiction I write or what I am writing about or what I am trying to write about. When I'm writing, what I do is I think about a story that I want to tell.
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