A Quote by Max Landis

'Pied Piper' came to me all at once; I wanted to do a fairy-tale movie with some edge, but not 'dark,' per se. — © Max Landis
'Pied Piper' came to me all at once; I wanted to do a fairy-tale movie with some edge, but not 'dark,' per se.
Pied Piper' came to me all at once; I wanted to do a fairy-tale movie with some edge, but not 'dark,' per se.
The difference between a fairy tale and a sea tale? A fairy tale starts with "Once upon a time". A sea tale starts with " This ain't no $hit"!
The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.
There's a picture of me at 3 years old playing the baby rat in 'The Pied Piper.'
I don't have any special approach for playing dark characters. That's because I never looked at them as dark characters per se. For me, they were real people.
I was never a critic. I was a journalist and wrote about filmmakers, but I didn't review movies per se. I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers. And I still am. I'm still a great movie fan, and I ,that love of movies is very much alive in me. I approach the movies I make as a movie-lover as much as a movie-maker.
This was not a fairy-tale castle and there was no such thing as a fairy-tale ending, but sometimes you could threaten to kick the handsome prince in the ham-and-eggs.
I think the big thing is the fairy tale. It's taking old folk fairy tales and retelling them in modern day. I think it's just taking you out of everyday life, and everyone loves a good fairy tale.
I don't want to be the Pied Piper of fast food.
We proclaim human intelligence to be morally valuable per se because we are human. If we were birds, we would proclaim the ability to fly as morally valuable per se. If we were fish, we would proclaim the ability to live underwater as morally valuable per se. But apart from our obviously self-interested proclamations, there is nothing morally valuable per se about human intelligence.
Many of us live in dysfunctional families, and so even if it's in a fairy tale, or perhaps because it's in a fairy tale, we have a chance to look at that side of our reflected lives differently.
Two forces create eternity - a fairy tale and a dream from the fairy tale.
Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.
One of my heroes, G.K. Chesterton, said, "The old fairy tales endure forever. The old fairy tale makes the hero a normal human boy; it is his adventures that are startling; they startle him because he is normal." Discovering that the modern world can still contain the wonder and strangeness of a fairy tale is part of what my novels are about.
As long as you keep one foot in the real world while the other foot's in a fairy tale, that fairy tale is going to seem kind of attainable.
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies.
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