A Quote by Max Lucado

I do think there is great strength, though, in starting a sermon with a story, then returning to that story at the end. That puts book ends to a sermon. It is a real simple technique that communicates to the audience that there is a sense of closure, that they have a package here, or we began and we closed with this. I think that's just a nice technique.
Don't think that any one technique is the end. there is no end. There is no perfect technique. Just when you think you've got them, you're dead because you didn't.
This has been the left's technique. The technique is to portray a political enemy of the left as this outrageous caveman or whatever decrepit form of humanity that you can describe, and then assume that everybody else agrees, and then cover the story as though everybody agrees.
Chicks who dig home runs aren't the ones who appeal to me. I think there's sexiness in infield hits because they require technique. I'd rather impress the chicks with my technique than with my brute strength. Then, every now and then, just to show I can do that, too, I might flirt a little by hitting one out.
I think that a great newspaper is one that puts a real premium on digging to get the story behind the story.
An old minister explained the smudges on his sermon outlines by saying they were caused by sweat and tears. And without those two marks, a sermon is not a sermon.
Art begins where technique ends. There can be no real art development before one's technique is firmly established. And a great deal of technical work has to be done before the great works of violin literature, the sonatas and concertos, may be approached.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
[The Christmas story] is as simple as was the Man himself and His teaching. SA simple as the Sermon on the Mount which still remains as the ultimate basis ... of the belief of free men of good will everywhere.
I want a real take-home quality to the sermon, so I built the whole sermon series around the word grace, those five letters.
Experimental novels are sometimes terribly clever and very seldom read. But the story that appeals to the child sitting on your knee is the one that satisfies the curiosity we all have about what happened then, and then, and then. This is the final restriction put on the technique of telling a story. A basic thing called story is built into the human condition. It's what we are; it's something to which we react.
It works well for me to go ahead and prepare the sermon with a chapter in mind. What that does is to force me to be very thrifty in my language, tighten up my words and not ramble so much. It puts some fiber in the sermon.
There is a sense that animated movies are suddenly a genre. I just don't believe they are; it's a technique to tell a story.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
Remember that for every technique you think you can fall back on, there is a counter for it, or there are times when it cannot be used. When real battle comes, you must remember that some things will not be applicable. Don't think that any one technique is quintessential.
I have also led you astray by talking of technique as if it were something that could be separated from the rest of the story. Technique can't operate at all, of course, except on believable material.
I do not think that you can be changing the end of a song or a story like that, as though it were quite separate from the rest. I think the end of a story is part of it from the beginning.
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