A Quote by Max Lucado

I don't think I have ever created an entire fiction piece or followed a historical piece and made that into a sermon. — © Max Lucado
I don't think I have ever created an entire fiction piece or followed a historical piece and made that into a sermon.
I really think there's no difference between an art piece made by a man and one made by a woman. Is it a good art piece or a bad art piece? Of course, if you're female, you're maybe dealing with different issues.
The hardest piece of nonfiction I ever wrote isn't anywhere close to the easiest piece of fiction I never wrote.
I do, however, feel reasonably strongly the sense that the job of a piece of argumentative scholarly non-fiction is not the same as the job of a piece of fiction.
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed out later on.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
I think every time you get your heart broken, there's a little piece of it that chips away, and I don't think you ever get that piece back. But I think you're able to bandage it with time and with new people and other things that make you happy.
It was missing a piece. And it was not happy. So it set off in search of its missing piece. And as it rolled it sang this song - "Oh I'm lookin' for my missin' piece I'm lookin' for my missin' piece Hi-dee-ho, here I go, Lookin' for my missin' piece.
I think I have every piece of music Bob Marley ever made.
The first 2 weeks, they didn't learn the piece - they went through the process of how the piece was made.
When I'm working and I need to taste food, I use a small spoon or eat a small piece, rather than wolfing down an entire piece of cake.
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.
It's very important to understand that the 'Talk' piece was not an excerpt, it was an adaptation, which means I compressed different parts of the book and made a new piece.
It would be nice to be a piece of toast. Everyone likes a piece of toast, don't they? No one is ever sad when you offer them a piece of toast, and if I could be that to someone, that would be nice.
I've never in my life bought a big piece of jewelry - like, 'I'm gonna get myself a big piece of jewelry!' Songwriters' lives are unstable and up and down. Even though mine has sort of has followed more of a going toward the sky trajectory.
I recently did a piece for the Boston Pops and John Williams, and I hope that it's as well a composed piece as I've ever done for any other medium or occasion.
'Bum's Rush' is a piece about timing, and everything that's in the piece needs to be with the piece. If people are missing, or marking, or unable to use their voices, the impulses that prompt the action are lost, and its logic crumbles.
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